Panama-Pacific International Exposition (1915 : San Francisco, Calif.)
Ancient among trees are the two specimens of microcycas from the swamps
of Cuba. These Methuselahs of the forest are at least 1,000 years old,
according to the botanists. They are among the slowest growing of living
things, and neither of them is much taller than a man. They were
seedlings when Alfred the Great ruled England, and perhaps four feet
high when Columbus first broke through the western seas. In the four
centuries of Cuban history they have not grown so much again.
These venerable trees belong to the bluest-blooded aristocracy of the
vegetable world. Ages ago they inhabited our northern states. Their
family has come down practically unchanged from the steaming days of the
Carboniferous period, when ferns grew one hundred feet high, and
thronged with other rank tropical growths in matted masses to form the
coal measures. The fossil remains of cycads in the rocks of that period
prove that they once flourished in the tropic swamps where now are the
hills of Wyoming and Dakota.
Scattered among the trees is a host of flowering vines, of huge crotons
with variegated leaves, giant gardenias and tropical lilies. When these
bloom, the air of this transplanted jungle is heavy with the perfume of
their own island habitat.
The Horticultural Gardens south of the Palace belong to it, and contain
a large part of the horticultural exhibits. As they were planted for
competitive exhibition purposes, they will not show the constant beauty
that appears in the South Gardens. Here we must wait for the flowers in
their season, and not expect to have them changed overnight for us by
the gardeners' magic.
Back of this horticultural garden is the House of Hoo Hoo, in Forestry
Court, flanked by the Pine and Redwood Bungalows. It needs but a glance
at its beguiling loveliness to know that here is another lesson in art
and architecture by Bernard Maybeck. Here again is poetry in
architecture, of a different order from the noble theme of Maybeck's
Fine Arts Palace, but none the less poetry. This is a sylvan idyll,
telling of lofty trees, cool shades, and secret bowers of fern and vine
and wild flower, in the moist and tangled redwood forests. There is
little used but rough-barked tree trunks, but what delicate harmony of
arrangement!
This lumbermen's lodge is one building outside the Exposition palaces
that should not be missed, even though almost hidden away against the
south wall. It is worth pondering over. No one may want to build a house
like it, but it proclaims how beauty can be attained with simple
materials and just proportions.
Public-domain text, read in full here on John Shaqi.
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