Panama-Pacific International Exposition (1915 : San Francisco, Calif.)
Facing West From California's Shores--Inquiring Tireless Seeking
What is Yet Unfound--I A Child Very Old Over Waves Toward the
House of Maternity the Land of Migrations Look Afar--Look Off the
Shores of My Western Sea the Circle Almost Circled.
--Whitman, America.
(b) Small panel at right of center:
Truth--Witness of the Past Councilor of the Present Guide of the
Future.--Cervantes, Spain.
(c) Small panel at left of center:
In Nature's Infinite Book of Secrecy A Little I Can Read.
--Shakespeare, England.
(d) Panel at center of attic, west side of the Arch:
It is Absolutely Indispensable For the United States to Effect A
Passage From the Mexican Gulf to the Pacific Ocean And I Am Certain
That They Will Do It--Would That I Might Live to See it But I Shall
Not.--Goethe, Germany.
(e) Small panel at right of center:
The Universe--An Infinite Sphere the Center Everywhere the
Circumference Nowhere.--Pascal, France.
(f) Small panel at left of center:
The World is in its Most Excellent State When Justice is Supreme.
--Dante, Italy.
VII.
The Court of the Ages
(Officially called "The Court of Abundance.")
An artist's dream in romantic Orientalism--Mullgardt's own title for it
- His great "Tower of the Ages"--Mullgardt interprets his architectural
masterpiece--Brangwyn's splendid murals, "Earth," "Air," "Fire" and
"Water"--The "Fountain of Earth," by Robert Aitken, realism set amidst
the romantic.
The Court of the Universe is not Oriental, the Court of the Ages is. Not
in architecture, but in feeling, in the atmosphere with which the
architect has invested it, this court brings to mind those brilliant
lands of the Mediterranean touched by the East through the Moors. You
pass under its arcades and walk out into a region of the Sun, warm,
bright, dazzling. The architect, Louis Christian Mullgardt, has caught
the feeling of the South,--not the rank, jungle South of the tropics;
nor the mild, rich South of our own Gulf states; but the hard,
brilliant, arid South of the desert. This court expresses Arizona, New
Mexico, Spain, Algiers,--lands of the Sun. The very flowers of its
first gardens were desert blooms, brilliant in hue, on leafless stalks.
There are orange trees, but they, also, are trees of the Sun, smooth of
leaf, to retain moisture.
It is a court, too, of romance. It might be a garden of Allah, with a
plaintive Arab flute singing, among the orange trees, of the wars and
the hot passions of the desert. It might be a court in Seville or
Granada, with guitars tinkling and lace gleaming among the cool arcades.
It is a place for dreams.
Public-domain text, read in full here on John Shaqi.
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