Panama-Pacific International Exposition (1915 : San Francisco, Calif.)
The three figures repeated around the top of the arcade are of a hunter
dragging a deer, a woman with her offspring on her shoulder, and a
primitive man feeding a pelican, all so happily expressed that they are
an intimate part of the arcade on which they stand. They seem almost to
have grown from their supports. These figures alone, unless we add the
florid ladies of the ornamental shafts, with the rich filigree of the
arcades and the tower, are all that express in any way the idea of
Abundance carried in the present name of the court.
Mullgardt conceived this court as a sermon in stone. Its significance as
a whole is best explained by the architect himself. He interprets the
court as rising in four horizontal strata:
"The court is an historical expression of the successive Ages of the
world's growth. The central fountain symbolizes the nebulous world, with
its innate human passions. Out of a chaotic condition came Water (the
basin), and Land (the fountain), and Light (the Sun, supported by
Helios, and the electroliers). The braziers and cauldrons symbolize
Fire. The two sentinel columns to the right and left of the tower
symbolize Earth and Air. The eight paintings of the four corners of the
ambulatory symbolize the elements of Earth, Air, Fire and Water. The
central figure in the North Avenue symbolizes 'Modern Time Listening to
the Story of the Ages.'
"The decorative motifs employed on the surrounding arcade are sea-plant
life and its animal evolution. The piers, arches, reeds and columns bear
legendary decorative motifs of the transition of plant to animal life in
the forms of tortoise and other shell motifs;--kelp and its analogy to
the prehistoric lobster, skate, crab and sea urchin. The water-bubble
motif is carried through all vertical members which symbolize the
Crustacean Period, which is the second stratum of the court.
"The third stratum, the prehistoric figures, surmounting the piers of
the arcade, also the first group over the tower entrance, show earliest
forms of human, animal, reptile and bird life, symbolizing the Stone Age
Period.
Public-domain text, read in full here on John Shaqi.
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