The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's PlotYounghusband, G. J. (George John)
History
The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's Plot
Younghusband, G. J. (George John)
Crown jewels -- Great Britain
True, the older figure has become somewhat blurred to the younger
generation, since Edward VII substituted an Imperial Crown for the older
shape on many things, including the Royal mail and Royal note-paper.
This was done of set purpose, being a sign and portent that the kingdom
had grown into a world-wide empire, greater far and more rich and
populous than any empire that had existed since the beginning of the
world. But the Crown of England retains its ancient shape. Round the
band of this Crown are set at intervals great stones of different
colours, red, and blue, and green, and yellow. Above the band stand
alternately fleurs-de-lis and crosses patés, from these spring the two
golden arches of the Crown, edged all the way with large pearls. These
arches are the insignia of a ruling monarch; without them the Crown
would remain only a coronet. Where the two arches cross each other they
are deeply depressed, and in the hollow thus formed stands a monde or
globe of gold. On the monde is fixed a richly jewelled cross with large
drop-shaped pearls, pendent from the arms. The weight of this Crown is
nearly 5 lbs.
Inside the Crown is the Cap of Maintenance of purple velvet, with an
edging of minever to protect the King’s head from too hard a contact
with solid gold. The original Crown of England, of which, as has been
mentioned, this is a copy, is said to have descended century after
century from Edward the Confessor, who ascended the throne in 1042. The
Vandals of the Commonwealth have much to answer for!
The King’s State Crown is more beautiful, and intrinsically of immensely
greater value than St. Edward’s Crown. It is, however, as a crown
comparatively modern, the custom being for each succeeding King or Queen
to have their own State Crown made afresh. But the stones that are set
in it, of which there are many thousands, are mostly of very great age,
and have been used century after century to adorn the State Crowns of
successive Kings and Queens.
The State Crown now in the Tower was made for Queen Victoria, in 1839,
and with some alterations and additions has been so preserved by Edward
VII and George V. Of the large jewels in it, such as the Black Prince’s
ruby. Queen Elizabeth’s pearl earrings, the Stuart sapphire, the
sapphire of Edward the Confessor, and the Star of South Africa,[4]
historical records proclaim their origin. But the thousands of smaller
stones carry with them their own age, for certain forms of cutting
pertain to certain centuries. Thus the table-cut diamond is an older
stone than the rose-cut, and the rose-cut is older than the brilliant.
Inversely no brilliant in the present Crown could have been in that of
Charles II, for this process of cutting was then unknown.
Public-domain text, read in full here on John Shaqi.
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