The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's PlotYounghusband, G. J. (George John)
History
The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's Plot
Younghusband, G. J. (George John)
Crown jewels -- Great Britain
A typical example of the depredations to which the Crown Jewels were
subject in less guarded days is shown in the Jewel House. This is a
jewel which passed for long as a magnificent faceted aquamarine, in the
shape of a monde or globe surmounted by a diamond cross, which figured
first on top of the Crown of King James II. Many historians mention this
stone with speechless admiration. Yet when a more critical age came to
examine this precious stone, it was found to be nothing more valuable
than a ball of coloured glass! Naturally when this discovery was made
the ornament lost its place of honour on top of the King’s Crown, and is
now shown only as a curiosity. Whether the original aquamarine had been
disposed of by James II before his flight or sold in some long past
reign by order of the King, or whether owing to slack guardianship it
was removed through the connivance of the guardians and replaced by a
worthless imitation, history does not relate. At any rate, an expert
goldsmith and jeweller must have been in the secret for the making of an
exact replica, and must have required prolonged possession of the model
to work from. Probably, too, when the substitution was first discovered
nobody cared to say much about it lest they themselves should be
suspected of theft, or at least accused of criminal carelessness in its
custody.
Amongst the Jewels may be seen a model of the Koh-i-Nur diamond as it
was before being cut into the form of a brilliant. It was at that period
set in an armlet with two lesser diamonds on either side, and could
either thus be worn, or alternatively as an ornament in the turban, by
the Eastern potentate who then owned the great diamond. This model is
set in the original setting of gold, richly enamelled. The crimson silk
cords ending in tassels of pearls and rubies, with which the armlet was
furnished, are also shown in original. This model shows the curious
conical shape the diamond then had from which its name, “The Mountain of
Light,” was derived. A looking-glass set behind it enables one to see
the beautiful enamels at the back of the setting.
Another model of great interest is that of the Cullinan diamond or the
Star of Africa, exactly showing its size and appearance when first
found. It is difficult to imagine a diamond of this size and appearance
until we actually see the model. It will be found described amongst the
greater gems in another place.
Public-domain text, read in full here on John Shaqi.
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