The usual explanations will not bear analysis. It is frequently asserted
that “atheist” was applied to the Jews because of their imageless cult.
The natural inference, we are told, from the fact that there were no
statues was that there were no gods. But that is to assign to the statue
a larger importance in ancient religious theory than in fact belonged to
it. We meet, to be sure, cases where the identification of the statue
and the resident deity seems to be complete. Especially in such scoffers
as Lucian,[210] or in the polemics of the philosophic sects, or in those
of Jews and Christian writers, Romans and Greeks are often charged with
the adoration of the actual figure of stone or bronze. That, however,
was surely not the general attitude of any class. The passages that seem
to show it are generally figurative and often imply merely that the god
had taken his abode within the statue, and might leave it at will.
Indeed, just for the masses, the most intense and direct religious
emotions were always aroused, not by the great gods whose statues were
the artistic pride of their cities, but by the formless and bodiless
spirits of tree and field and forest that survived from pre-Olympian
animism. And these latter, if adored in symbolic form, were represented
generally by pillars or trees, and not by statues at all.
Nor were the Jews the only imageless barbarians whom the Greeks and
Romans encountered. Most of the surrounding nations can scarcely have
possessed actual statues at first. And the Greeks or Romans drew no such
inference as atheism from the fact that they found no statues of gods
among Spaniards, Thracians, Germans, or Celts. On the contrary, we hear
of gods among all these nations, many of them outlined with sufficient
clearness to be identified promptly with various Greek deities. What a
Greek would be likely to assume is rather that these barbarians lacked
the skill to fashion statues or the artistic cultivation to appreciate
them. If it occurred to him to explain the imageless shrine at Jerusalem
at all, he would no doubt have offered some such statement, especially
as it was quite common to assume lack of artistic skill in barbarians.
Public-domain text, read in full here on John Shaqi.
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