But this he is not. Ask the poorest man in the Jewish town--the teacher of the law, who, with his six children, often suffers from the pangs of hunger, or the water-carriers, who groan under the heavy pails they bear from morning to night from the town-well--ask these men whether they would exchange lots with Moses, and they will at once answer, "No." For Freudenthal's sorrow is even greater than his wealth. It is true that you can not read this in his face as he stands, tall and stately, in the doorway of his house. His silver-gray hair falls down below his black velvet skull-cap; the two long curls that hang, one at each side of the face, as is the fashion of the Chassidim, are also silver-gray and thin. But his figure is still strong and upright, and the curiously cut Jewish coat that he wears, resembling a _talar_ in shape, and made of black cloth, is by no means an unbecoming garment. The old man stands almost motionless watching the painter who is busy painting the doors of the spirit-shop a bright arsenic green, with bottles, glasses, and _bretzeln_,[1] in yellow and white upon the green background. He seldom turns to acknowledge the greeting of a passer-by, for but few people are in the streets to-day. Now and then a group of Ruthenian peasants may be seen reeling out of the town-gate, or a nobleman drives past in his light britzska, or perhaps it is some poor peddler, who has been wandering the whole week long from farm to farm in the district, exchanging money and cloth for the sheepskins, laden with which he is returning to town. His burden is heavy and his gain is but small, yet his pale, worn, and, it may be, cunning face is not without a gleam of joy and pride. A few hours later and the miserable ragged Jewish peddler, on whom farmers and nobles had tried the weight of their whips, and on whom they had made many a scurrilous jest, is transformed into a proud prince awaiting the arrival of his lovely bride--the day of rest, the Sabbath. [Footnote 1: A kind of biscuit.]