New York (N.Y.) -- Fiction; Women white collar workers -- Fiction
She wrote poetry about spring and neighborhood births, and Captain
Golden admired it so actively that he read it aloud to callers. She
attended all the meetings of the Panama Study Club, and desired to learn
French, though she never went beyond borrowing a French grammar from the
Episcopalian rector and learning one conjugation. But in the pioneer
suffrage movement she took no part--she didn't "think it was quite
ladylike." ... She was a poor cook, and her house always smelled stuffy,
but she liked to have flowers about. She was pretty of face, frail of
body, genuinely gracious of manner. She really did like people, liked to
give cookies to the neighborhood boys, and--if you weren't impatient
with her slackness--you found her a wistful and touching figure in her
slight youthfulness and in the ambition to be a romantic personage, a
Marie Antoinette or a Mrs. Grover Cleveland, which ambition she still
retained at fifty-five.
She was, in appearance, the ideal wife and mother--sympathetic,
forgiving, bright-lipped as a May morning. She never demanded; she
merely suggested her desires, and, if they were refused, let her lips
droop in a manner which only a brute could withstand.
She plaintively admired her efficient daughter Una.
Una Golden was a "good little woman"--not pretty, not noisy, not
particularly articulate, but instinctively on the inside of things;
naturally able to size up people and affairs. She had common sense and
unkindled passion. She was a matter-of-fact idealist, with a healthy
woman's simple longing for love and life. At twenty-four Una had half a
dozen times fancied herself in love. She had been embraced at a dance,
and felt the stirring of a desire for surrender. But always a native
shrewdness had kept her from agonizing over these affairs.
She was not--and will not be--a misunderstood genius, an undeveloped
artist, an embryonic leader in feminism, nor an ugly duckling who would
put on a Georgette hat and captivate the theatrical world. She was an
untrained, ambitious, thoroughly commonplace, small-town girl. But she
was a natural executive and she secretly controlled the Golden
household; kept Captain Golden from eating with his knife, and her
mother from becoming drugged with too much reading of poppy-flavored
novels.
She wanted to learn, learn anything. But the Goldens were too
respectable to permit her to have a job, and too poor to permit her to
go to college. From the age of seventeen, when she had graduated from
the high school--in white ribbons and heavy new boots and tight new
organdy--to twenty-three, she had kept house and gone to gossip-parties
and unmethodically read books from the town library--Walter Scott,
Richard Le Gallienne, Harriet Beecher Stowe, Mrs. Humphry Ward, _How to
Know the Birds_, _My Year in the Holy Land_, _Home Needlework_, _Sartor
Resartus_, and _Ships that Pass in the Night_. Her residue of knowledge
from reading them was a disbelief in Panama, Pennsylvania.
Public-domain text, read in full here on John Shaqi.
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