New York (N.Y.) -- Fiction; Women white collar workers -- Fiction
She discovered that he was prone to such violent appearances; that his
name was Walter Babson; that he was one of the three desk editors under
the managing editor; that the stenographers and office-boys alternately
disapproved of him, because he went on sprees and borrowed money from
anybody in sight, and adored him because he was democratically frank
with them. He was at once a hero, clown, prodigal son, and preacher of
honesty. It was variously said that he was a socialist, an anarchist,
and a believer in an American monarchy, which he was reported as
declaring would "give some color to this flat-faced province of a
country." It was related that he had been "fresh" even to the owner, and
had escaped discharge only by being the quickest worker in the office,
the best handy man at turning motor statistics into lively news-stories.
Una saw that he liked to stand about, bawling to the quizzical S.
Herbert Ross that "this is a hell of a shop to work in--rotten pay and
no _esprit de corps_. I'd quit and free-lance if I could break in with
fiction, but a rotten bunch of log-rollers have got the inside track
with all the magazines and book-publishers."
"Ever try to write any fiction?" Una once heard S. Herbert retort.
"No, but Lord! any fool could write better stuff than they publish. It's
all a freeze-out game; editors just accept stuff by their friends."
In one week Una heard Walter Babson make approximately the same
assertions to three different men, and to whoever in the open office
might care to listen and profit thereby. Then, apparently, he ceased to
hear the call of literature, and he snorted at S. Herbert Ross's stodgy
assistant that he was a wage-slave, and a fool not to form a clerks'
union. In a week or two he was literary again. He dashed down to the
office-manager, poked a sheet of copy-paper at him, and yelped: "Say,
Nat. Read that and tell me just what you think of it. I'm going to put
some literary flavor into the _Gas-bag_ even if it does explode it.
Look--see. I've taken a boost for the Kells Karburetor--rotten lying
boost it is, too--and turned it into this running verse, read it like
prose, pleasant and easy to digest, especially beneficial to children
and S. Herbert Souse, Sherbert Souse, I mean." He rapidly read an
amazing lyric beginning, "Motorists, you hadn't better monkey with the
carburetor, all the racers, all the swells, have equipped their cars
with Kells. We are privileged to announce what will give the trade a
jounce, that the floats have been improved like all motorists would have
loved."
He broke off and shouted, "Punk last line, but I'll fix it up. Say,
that'll get 'em all going, eh? Say, I bet the Kells people use it in
bill-board ads. all over the country, and maybe sign my name. Ads., why
say, it takes a literary guy to write ads., not a fat-headed
commercialist like S. Charlie Hoss."
Public-domain text, read in full here on John Shaqi.
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