At the end, this almost madly idealistic journal gave a list of wants of editors; the editor of _Lingerie and Laughter_ wanted "short, snappy stuff with a kick in it; especially good yarns about models, grisettes, etc." _Wanderlust_ was in the market for "stories with a punch that appealed to every red-blooded American; nothing about psychology, problems, Europe, or love wanted." _The Plymouth Rock Fancier_ announced that it could use "a good, lively rural poem every week; must be clean and original." Pathos there was in all of this; the infinitely little men and women daring to buy and sell "short, snappy stuff" in this somber and terribly beautiful world of Balzac and Wells and Turgenieff. And pathos there was in that wasted year when Walter Babson sought to climb from the gossiping little prairie town to the grandeur of great capitals by learning to be an efficient manufacturer of "good, lively rural poems." He neglected even his college-entrance books, the Ruskin whose clots of gilt might have trained him to look for real gold, and the stilted Burke who might have given him a vision of empires and races and social destinies. And for his pathetic treachery he wasn't even rewarded. His club-footed verses were always returned with printed rejection slips. When at last he barely slid into Jonathan Edwards College, Iowa, Walter was already becoming discouraged; already getting the habit of blaming the gods, capitalists, editors, his father, the owner of the country newspaper on which he had been working, for everything that went wrong. He yammered destructive theories which would have been as obnoxious to a genuine fighting revolutionist as they were sacrilegious to his hard-fisted, earnest, rustic classmates in Jonathan Edwards. For Walter was not protesting against social injustice. The slavery of rubber-gatherers in the Putumayo and of sweatshop-workers in New York did not exist for him. He was protesting because, at the age of twenty, his name was not appearing in large flattering capitals on the covers of magazines. Yet he was rather amusing; he helped plodding classmates with their assignments, and he was an active participant in all worthy movements to raise hell--as they admirably described it. By the end of his Freshman year he had given up all attempts to be a poet and to extract nourishment from the college classes, which were as hard and unpalatable as dried codfish. He got drunk, he vented his energy in noisy meetings with itinerant _filles de joie_, who were as provincial and rustic, as bewildered and unfortunate as the wild country boys, who in them found their only outlet for youth's madness. Walter was abruptly expelled from college by the one man in the college whom he respected--the saintly president, who had dreams of a new Harvard on the prairies.