New York (N.Y.) -- Fiction; Women white collar workers -- Fiction
She did not look like an adventurer when, at a Saturday noon of October,
she left the office--slight, kindly, rather timid, with her pale hair
and school-teacher eye-glasses, and clear cheeks set off by comely
mourning. But she was seizing New York. She said over and over, "Why, I
can go and live any place I want to, and maybe I'll meet some folks who
are simply fascinating." She wasn't very definite about these
fascinating folks, but they implied girls to play with and--she
hesitated--and decidedly men, men different from Walter, who would touch
her hand in courtly reverence.
She poked through strange streets. She carried an assortment of "Rooms
and Board" clippings from the "want-ad" page of a newspaper, and
obediently followed their hints about finding the perfect place. She
resolutely did not stop at places not advertised in the paper, though
nearly every house, in some quarters, had a sign, "Room to Rent." Una
still had faith in the veracity of whatever appeared in the public
prints, as compared with what she dared see for herself.
The advertisements led her into a dozen parts of the city frequented by
roomers, the lonely, gray, detached people who dwell in other people's
houses.
It was not so splendid a quest as she had hoped; it was too sharp a
revelation of the cannon-food of the city, the people who had never been
trained, and who had lost heart. It was scarcely possible to tell one
street from another; to remember whether she was on Sixteenth Street or
Twenty-sixth. Always the same rows of red-brick or brownstone houses,
all alike, the monotony broken only by infrequent warehouses or
loft-buildings; always the same doubtful mounting of stone steps, the
same searching for a bell, the same waiting, the same slatternly,
suspicious landlady, the same evil hallway with a brown hat-rack, a
steel-engraving with one corner stained with yellow, a carpet worn
through to the flooring in a large oval hole just in front of the
stairs, a smell of cabbage, a lack of ventilation. Always the same
desire to escape, though she waited politely while the landlady in the
same familiar harsh voice went through the same formula.
Then, before she could flee to the comparatively fresh air of the
streets, Una would politely have to follow the panting landlady to a
room that was a horror of dirty carpet, lumpy mattress, and furniture
with everything worn off that could wear off. And at last, always the
same phrases by which Una meant to spare the woman: "Well, I'll think it
over. Thank you so much for showing me the rooms, but before I
decide-- Want to look around--"
Phrases which the landlady heard ten times a day.
Public-domain text, read in full here on John Shaqi.
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