New York (N.Y.) -- Fiction; Women white collar workers -- Fiction
She conceived a great-hearted pity for landladies. They were so patient,
in face of her evident distaste. Even their suspiciousness was but the
growling of a beaten dog. They sighed and closed their doors on her
without much attempt to persuade her to stay. Her heart ached with their
lack of imagination. They had no more imagination than those landladies
of the insect world, the spiders, with their unchanging, instinctive,
ancestral types of webs.
Her depression was increased by the desperate physical weariness of the
hunt. Not that afternoon, not till two weeks later, did she find a room
in a large, long, somber railroad flat on Lexington Avenue, conducted by
a curly-haired young bookkeeper and his pretty wife, who provided their
clients with sympathy, with extensive and scientific data regarding the
motion-picture houses in the neighborhood, and board which was neither
scientific nor very extensive.
It was time for Una to sacrifice the last material contact with her
mother; to sell the furniture which she had known ever since, as a baby
in Panama, she had crawled from this horsehair chair, all the long and
perilous way across this same brown carpet, to this red-plush couch.
§ 3
It was not so hard to sell the furniture; she could even read and burn
her father's letters with an unhappy resoluteness. Despite her
tenderness, Una had something of youth's joy in getting rid of old
things, as preparation for acquiring the new. She did sob when she found
her mother's straw hat, just as Mrs. Golden had left it, on the high
shelf of the wardrobe as though her mother might come in at any minute,
put it on, and start for a walk. She sobbed again when she encountered
the tiny tear in the bottom of the couch, which her own baby fingers had
made in trying to enlarge a pirate's cave. That brought the days when
her parents were immortal and all-wise; when the home sitting-room,
where her father read the paper aloud, was a security against all the
formidable world outside.
But to these recollections Una could shut her heart. To one absurd
thing, because it was living, Una could not shut her heart--to the
senile canary.
Possibly she could have taken it with her, but she felt confusedly that
Dickie would not be appreciated in other people's houses. She evaded
asking the Sessionses to shelter the bird, because every favor that she
permitted from that smug family was a bond that tied her to their life
of married spinsterhood.
"Oh, Dickie, Dickie, what am I going to do with you?" she cried,
slipping a finger through the wires of the cage.
The canary hopped toward her and tried to chirp his greeting.
"Even when you were sick you tried to sing to me, and mother did love
you," she sighed. "I just can't kill you--trusting me like that."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account