In the meantime Katrine, quite unaware of these difficulties, wore her
picturesque painting apron for several hours daily, and revelled both in
her work and in the companionship of her new teacher. Miss Aubrey was
the greatest possible contrast to her sister, Mrs. Franklin. Instead of
being tall, imposing, and masterful, she was small, slight, and gentle
in manner. "A ducky little thing", most of the girls called her, and
Katrine endorsed the general opinion. Miss Aubrey certainly would not
have made a good head of the establishment; she was absent-minded,
dreamy, and made no attempt to uphold discipline; but in her own
department she was delightful. The pupils talked with impunity in her
classes, but they nevertheless worked with an enthusiasm that many a
stricter teacher might have failed to inspire. There was an artistic
atmosphere about Miss Aubrey; she always seemed slightly in the clouds,
as if she were busier observing the general picturesque effect of life
than its particular details. In appearance she was pleasing, with soft
grey eyes and smooth brown hair. It was the fashion at the school to
call her pretty. The girls set her down as many years younger than Mrs.
Franklin. The studio was, of course, her special domain at Aireyholme;
she worked much there herself, and quite a collection of her pictures
adorned the walls. The crisp, bold style of painting aroused Katrine's
admiration, and made her long to try her skill at landscape-sketching.
Miss Aubrey had kept her at a study of flowers until she could judge her
capabilities; but at the end of the first week the mistress declared her
ready for more advanced work.
"I am going into the village this morning to finish a picture of my
own," she announced. "You and your sister may come with me, and I will
start you both at a pretty little subject."
Public-domain text, read in full here on John Shaqi.
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