"Gwethyn was bound to be 'Laura-ridden' at first," laughed Susie Parker.
"It's the inevitable. Laura's new friendships have to run their course
like measles. This has only been a short business, and now we may
consider Gwethyn disinfected!"
No longer monopolized by Laura, Gwethyn began to make friends with other
girls, and was soon a favourite in the Fifth. Her love of fun, and
readiness to give and take, commended her to the form, and on her side
she much preferred to be ordinary chums with her comrades, than to be
offered a slavish and rather ridiculous worship, such as Laura had
tendered.
* * * * *
Since their very trying experiences in the High Street, the Marsdens had
begged Miss Aubrey to allow them to abandon that particular subject, and
begin another sketch in some more retired place, where spectators would
not come to look over their shoulders. Miss Aubrey herself disliked
working in the midst of a crowd, so she readily agreed, and at their
next painting lesson announced that she had found the very spot to suit
them. Nan Bethell, Gladwin Riley, and Coralie Nelson were to join the
class that afternoon. Viola, Dorrie, and Diana were also extremely
anxious to go, but Mrs. Franklin would not spare her best matriculation
students, and sternly set them to work at mathematics instead, much to
their disgust. Tita Gray, Hilda Smart, and Ellaline Dickens, the
remaining members of the Sixth, were detained by music lessons with a
master who came over weekly from Carford. Only five fortunate ones
sallied forth, therefore, with Miss Aubrey. The subject which their
teacher had chosen was not far off, though rather out of the way.
Standing back from the village, at the end of a long lane, was a
rambling old house known as "The Grange". It lay low, in a somewhat damp
spot close to the river, faced north, and had no particular view. Owing,
no doubt, to these drawbacks, and to its inconvenient situation, it had
been unlet for several years, and as the owner did not seem inclined to
spend money on repairs, its dilapidated condition held out little
promise of a new tenant. To anyone anxious for seclusion no more
suitable retreat could be found: the long leafy lane which led to its
rusty iron gate, the thickness of its surrounding plantation, the tall
shrubs in the garden, which almost touched the windows, all seemed so
many barriers to discourage the public, and to keep the lonely dwelling
apart from the outside world. To the girls it looked mysterious, and it
was with almost a creepy feeling that they opened the creaking gate, and
made their way through the tangled garden. Everything seemed as
overgrown and as quiet as in the palace of the Sleeping Beauty; not a
face to be seen at the windows, nor a footstep to be heard in the
grounds; the flower-beds were a mass of rank weeds, the paths were
covered with grass, and the lawn was a hayfield. In the prime of their
Public-domain text, read in full here on John Shaqi.
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