"It's an artist!" she whispered. "He's painting in the road exactly
below us. I can see his picture through the hedge. Come and look!"
Such exciting information broke the spell of Katrine's work. She put
down her palette at once, and followed Gwethyn. It was impossible to
resist taking a peep at the interesting stranger's sketch.
"You must promise not even to breathe. I should be most annoyed if he
happened to see us," she declared.
"All right! I'll be mum as a mouse, and walk as softly as a pussy-cat.
I'll undertake it won't be my fault if he divines our existence."
Very gently the two girls crept along the edge of the pasture, trying
not to rustle the grass, and heroically refraining from conversation.
"Here we are!" signalled Gwethyn at last, pausing at a thin place in the
hedge, which might have been made on purpose for a peep-hole. Through a
frame of sycamore leaves they could peer into the road exactly at the
spot where the rival easel was pitched. The artist's back was towards
them; they could see nothing but his tweed suit, his grey hair under a
brown hat, and the skilful right hand which kept dabbing subtle
combinations of half-tones upon his canvas. He seemed utterly
unconscious of their presence, and worked away in sublime ignorance that
two pairs of eyes were following every stroke of his brush. He was no
amateur, that was plain. The girls were sufficient judges of painting to
recognize that though the sketch was still at an elementary stage he had
made a masterly beginning. Katrine watched quite fascinated, trying to
decide what colours he was using, and in what proportion he had mixed
them. If she could only see his palette, she might perhaps discover the
secret of that particularly warm shadow he was in the act of placing
under the near tree. She craned her head a little forward through the
hedge. Gwethyn, equally anxious to see everything possible, pressed
closely behind her. Whether it was the heat of the sun, or whether a
sycamore leaf tickled the end of her nose, I cannot tell. The cause is
immaterial, but the awful and tangible result was that Katrine--Katrine,
who prided herself upon prunes and prism--burst without warning into a
violent and uncontrollable sneeze! Naturally the artist turned at the
unwonted sound, to catch an astonishing vision of two dismayed faces
peeping like dryads from the greenery behind him.
Katrine dashed off like a thief detected red-handed, but she had hardly
gone a yard when Gwethyn seized her by the arm.
"Katrine! Stop! There's no need to run in that silly way. Can't you see
it's Mr. Freeman?"
"What's the matter, girls?" asked Miss Aubrey, who had walked up to
correct their drawings.
Katrine felt caught on both sides, but there seemed nothing for it but
to pass off the affair as well as she could.
"We've met an old friend of my father's," she explained. "I suppose we
may say 'How do you do?' to him over the hedge?"
Public-domain text, read in full here on John Shaqi.
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