He took it full in the face that something had happened between--that he couldn't have noticed before (by which he meant on his original tour of all the rooms that evening) that such a barrier had exceptionally presented itself. He had indeed since that moment undergone an agitation so extraordinary that it might have muddled for him any earlier view; and he tried to convince himself that he might perhaps then have gone into the room and, inadvertently, automatically, on coming out, have drawn the door after him. The difficulty was that this exactly was what he never did; it was against his whole policy, as he might have said, the essence of which was to keep vistas clear. He had them from the first, as he was well aware, quite on the brain: the strange apparition, at the far end of one of them, of his baffled "prey" (which had become by so sharp an irony so little the term now to apply!) was the form of success his imagination had most cherished, projecting into it always a refinement of beauty. He had known fifty times the start of perception that had afterwards dropped; had fifty times gasped to himself. "There!" under some fond brief hallucination. The house, as the case stood, admirably lent itself; he might wonder at the taste, the native architecture of the particular time, which could rejoice so in the multiplication of doors--the opposite extreme to the modern, the actual almost complete proscription of them; but it had fairly contributed to provoke this obsession of the presence encountered telescopically, as he might say, focused and studied in diminishing perspective and as by a rest for the elbow.