I. Anger has many modes of Verschiebung, both instinctive and cultivated. One case in our returns carries a bit of wood in his vest-pocket and bites it when he begins to feel the aura of temper. Girls often play the piano loudly, and some think best of all. One plays a particular piece to divert anger, viz., the "Devil's Sonata." A man goes down cellar and saws wood, which he keeps for such occasions. A boy pounds a resonant eavespout. One throws a heavy stone against a white rock. Many go off by themselves and indulge in the luxury of expressions they want none to hear. Others take out their tantrum on the dog or cat or perhaps a younger child, or implicate some absent enemy, while others curse. A few wound themselves, and so on, till it almost seems, in view of this long list of vicariates, as if almost any attack, psychic or physical, might thus be intensified, and almost anything or person be made the object of passion. Be it remembered, too, that not a few look, do, think, feel their best under this impulsion. II. Besides these modes of Abreagierung there are countless forms of sublimation. In anger a boy says: I will avenge myself on the bully who whipped me and whom I cannot or will not whip, by besting him in his studies, class-work, composition, or learn skilful stunts that he cannot do, dress, or behave better, use better language, keep better company, and thus find my triumph and revenge. A man rejected or scorned by a woman sometimes makes a great man of himself, with the motivation more or less developed to make her sorry or humiliated. Anger may prompt a man to go in to win his enemy's girl. A taunt or an insult sometimes spurs the victim of it to towering ambition to show the world and especially the abuser better, and to be able to despise him in return; and there are those who have been thus stung to attempt greatness and find the sweetest joy of success in the feeling that by attaining it they compensate for indignities they suffered in youth. In fact, when we analyze ambition and the horror of Minderwertigkeit that goes with it, we shall doubtless find this factor is never entirely absent, while if we were to apply the same pertinacity and subtlety that Jung in his "Wandlungen" has brought to bear in working over the treacherous material of mythology, we might prove with no less verisimilitude than he has shown the primacy of the libido that in the beginning was anger, and that not Anaxagoras' love or the strife of Heraclitus was the fons et origo of all things, that the Ichtrieb is basal, and that the fondest and most comprehensive of all motives is that to excel others, not merely to survive, but to win a larger place in the sun, and that there is some connection between the Darwinian psychogenesis and Max Stirner and Nietzsche, which Adler has best evaluated.