III. Anger has also its dreams and reveries. When wronged the imagination riots in fancied humiliation and even tortures of an enemy. An object of hate may be put through almost every conceivable series of degradation, ridicule, exposure and disgrace. He is seen by others for what our hate deems him to be. All disguises are stripped off. Children sometimes fancy a hated object of anger flogged until he is raw, abandoned by all his friends, an outcast, homeless, alone, in the dark, starving, exposed to wild animals, and far more often more prosaic fancies conceive him as whipped by a parent or stronger friend, or by the victim himself later. Very clever strategies are thought out in detail by which the weaker gets even with or vanquishes the stronger, and one who suffers a rankling sense of injustice can hardly help day-dreaming of some form of comeuppance for his foe, although it takes years to do it. In these reveries the injurer in the end almost always gives up and sues for mercy at the feet of his quondam victim. So weird and dramatic are these scenes often that to some minds we must call anger and hate the chief springs of the imagination. A pubescent girl who was deeply offended went off by herself and held an imaginary funeral of her enemy, hearing in fancy the disparaging remarks of the bystanders, and when it was all over and the reaction came, she made up with the object of her passion by being unusually sweet to her and even became solicitous about her health as fearing that her revery might come true. We all too remember Tolstoi's reminiscences when, having been flogged by his tutor, he slunk off to the attic, weeping and broken-hearted, and finally after a long brooding resolved to run away and become a soldier, and this he did in fancy, becoming corporal, lieutenant, captain, colonel. Finally came a great battle where he led a desperate charge that was crowned with victory, and when all was over and he stood tottering, leaning on his sword, bloody and with many a wound, and the great Czar of all the Russias approached, saluted him as saviour of his fatherland and told him to ask whatever he wanted and it was his, replied magnanimously that he had only done his duty and wanted no reward. All he asked was that his tutor might be brought up and his head cut off. Then the scene changed to other situations, each very different, florid with details, but motivated by ending in the discomfiture of the tutor. In the ebb or ambivalent reaction of this passion he and the tutor got on better.