20) The principal aim of art, if there is art, and if it has an aim,
is to manifest and to express the truth about man’s soul, to express
those mysteries which it is impossible to express simply by speech.
From this springs art. Art is a microscope which the artist fixes
on the mysteries of his soul and shows to people those mysteries
which are common to all.
21) Love, enclosed in man and freed by reason, manifests itself in
two ways: 1, by its expansion, and 2, by the establishment of the
Kingdom of God. It is steam which, in spreading, works.
22) Lately, I have begun to feel such firmness and strength, not my
own, but that of that God’s work which I wish to serve, that the
irritation, the reproaches, the mocking people hostile to the work
of God, is strange to me; they are pitiable, touching.
23) The world, living unconsciously, and man, in the period of his
childhood, performed unconsciously the work of God. Having awakened
to consciousness, he does it consciously. In the collision between
the two methods of serving, man ought to know that the unconscious
passes and will pass into the conscious and not the opposite and
that therefore it is necessary to give oneself over to the future
and not to the past. (Stupid.)
24) The delusion of man who has awakened to consciousness and who
continues to consider his own separate being as himself, is that he
considers a tool as himself. If you feel pain at the disturbing of
the good of your separate being, it is as if you felt on your hand
the blows on the tool with which you work. The tool has to be taken
care of, ground, but not to be considered as oneself.
25) God Himself is economical. He has to penetrate all with love. He
has fired man alone with love and has placed him in the necessity
of firing all the rest.
26) Nothing affects the religious outlook so much as the way we
look upon the world; whether with a beginning and an end, as it was
looked upon in antiquity, or infinite as it is looked upon now. In
a finite world, one can construct a reasonable rôle for separate
mortal man, but in an infinite world the life of such a being has
no meaning.
27) (_For Konevsky_) It happens to Katiusha after her resurrection,
that she has certain periods in which she smiles slyly and lazily
as if she had forgotten all which she considered true before; she
is merely joyous and wants to live.
28) To him who lives a spiritual life entirely, life here becomes
so uninteresting and burdensome that he can part with it easily.
29) Natasha Strakhov[82] asks her father, when he speaks of something
which happened when she was not yet born: “Where was I then?” I would
have answered: “You were asleep and had not yet waked up here.”
Conception, birth, childhood are only a preparation to an awakening,
which we see, but not the sleeping ones.
Public-domain text, read in full here on John Shaqi.
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