The 3rd thing I wanted to write was that when a man is put in the necessity of choosing between an act which is clearly beneficial to others, but with the thwarting of the demands of conscience (the will of God), then the problem is only one of short-sightedness, because the man sees in the immediate future the good which will arise from his act, if he thwarts the will of God, but he does not see in the more remote future the other good, which is an infinite number of times greater, which will come from the abstention of this act and the fulfilment of the will of God. It is the same kind of thing that children do, destroying the general order of a house which is necessary for their own happiness, for the sake of the immediate pleasure of play. The fact is that for the work of God and for man accomplishing the work of God, time does not exist. Man can not but represent to himself everything in time, and therefore in order to correctly judge of the importance of the work of God, he has to represent it to himself in the very remote future, even in infinite time. The fact, that I will not kill the murderer and will forgive him, that I shall die unseen by any one, fulfilling the will of God, will bear its own fruit ... if I insist upon thinking in terms of time--in infinite time. But it will bear its fruit surely. I have to finish the former: 4) Refinement and power in art are almost always diametrically opposed. 5) Is it true that works of art are obtained by assiduous work? That which we call a work of art--yes. But is it real art? 6) The Japanese sang and we could not restrain ourselves from laughter. If we had sung before the Japanese they would have laughed. The more so had Beethoven been played for them. Indian and Greek temples are understood by all. And Greek statues are understood by all. And our best painting is also understandable. So that architecture, sculpture, painting, having reached their perfection, have reached also cosmopolitanism, accessibility to all. To the same point in some of its manifestations has the art of speech reached; in the teaching of Buddha, of Christ, in the poetry of Sakia-Muni, Jacob, Joseph. In dramatic art; Sophocles, Aristophanes did not reach it. It is being reached in the new ones. But in music they have been lagging behind entirely. The ideal of all art to which it should strive is accessibility to all--but it, especially music to-day, noses its way into refinement. 7) The principal thing which I wanted to say about art, is that it does not exist in the sense of some great manifestation of the human spirit as it is understood now. There is play, consisting in the beauty of construction, in sculpting figures, or in representing objects, in dancing, in singing, in playing on various instruments, in poetry, in fables, in stories, but all this is only play and not an important matter to which one could consciously devote his strength.