family, and in the extremity of her terror she had tried to hide herself. I had hard work to satisfy her. Our long habits of concealment and anxiety had rendered her suspicious of every one; and her agitation was so great that for a time she was incapable of understanding what I said, and went on in a sort of paroxysm of distress and fear. This, however, was soon over, and the kindness of my companions did much to facilitate the matter."--Father Henson's Story of his own Life, p. 121. [5] Henson, "_Uncle Tom's Story of his Life_," p. 162. [6] Years thereafter when taking dinner with a distinguished gentleman in London the thought of enjoying such privileges while his only brother was in slavery dawned suddenly and impressed itself so forcefully upon him that he immediately arose from the table, unable to eat. He soon returned to America and at once proceeded to devise means to free his brother. Mr. William Chaplain, of New York, had repeatedly urged him to flee by way of the underground railroad, but he was so demoralized and stultified by slavery that he would not make an effort. Mr. Chaplain made a second effort to induce him to escape but he still refused. Henson finally arranged to sell the narrative of his life to secure funds for his liberation. The book sold well in New England and the requisite four hundred dollars being raised his brother was freed and enabled to join him in Canada.--Father Henson's _Story of his own Life_, pp. 209-212. [7] _Liberator_, April 11, 1851. ELIZABETH BARRETT BROWNING AND THE NEGRO Elizabeth Barrett Browning was a poetic artist who was intensely concerned with the large human movements of the world and the age into which she was thrown. Her whole life was one great heart-throb. While the condition of her health and the nature of her early training were such as to cultivate her rather bookish and romantic temperament, she followed with eagerness the great social reforms in England in the reign of William IV and the early years of Victoria; and _The Cry of the Children_ and _The Cry of the Human_ indicated what was to be one of her chief lines of interest. In her later years she threw herself heart and soul into the cause of Italian independence and unity, welcoming Napoleon III as a benefactor. Her political judgment was not always sound: her distinguished husband could not possibly follow her in her admiration for Napoleon, whom he regarded as to some extent at least a charlatan, and Cavour simply represented his countrymen in his amazement and chagrin at the terms of the Peace of Villafranca; nevertheless the great heart of Elizabeth Barrett Browning was ever moved by the demands of liberty, whether the immediate impulse was a child in the sweatshops of England, an Italian wishing to be free of Austria, or the exiled Victor Hugo, and there was no exaggeration in the tribute placed on the wall of Casa Guidi after her death: