The Journal of Speculative Philosophy, Vol. I, Nos. 1-4, 1867Various
Philosophy
The Journal of Speculative Philosophy, Vol. I, Nos. 1-4, 1867
Various
Philosophy -- Periodicals
After these preliminaries, Hegel enters upon the questions which form
the object of this first part. He treats, in the first place, of _the
idea of the beautiful_ in itself, in its abstract nature. Freeing his
thought from the metaphysical forms which render it difficult of
comprehension to minds not familiar with his system, we arrive at this
definition, already contained in the foregoing: the Beautiful is the
true, that is to say, the essence, the inmost substance of things; the
true, not such as the mind conceives it in its abstract and pure nature,
but as manifested to the senses under visible forms. It is the sensuous
_manifestation of the idea_, which is the soul and principle of things.
This definition recalls that of Plato: the Beautiful is the _splendor of
the true_.
What are the characteristics of the beautiful? First, it is infinite in
this sense, that it is the divine principle itself which is revealed and
manifested, and that the form which expresses it, in place of limiting
it, realizes it and confounds itself with it; second, it is free, for
true freedom is not the absence of rule and measure, it is force which
develops itself easily and harmoniously. It appears in the bosom of the
existences of the sensuous world, as their principle of life, of unity,
and of harmony, whether free from all obstacle, or victorious and
triumphant in conflict, always calm and serene.
The spectator who contemplates beauty feels himself equally free, and
has a consciousness of his infinite nature. He tastes a pure pleasure,
resulting from the felt accord of the powers of his being; a celestial
and divine joy, which has nothing in common with material pleasures, and
does not suffer to exist in the soul a single impure or gross desire.
The contemplation of the Beautiful awakens no such craving; it is
self-sufficing, and is not accompanied by any return of the me upon
itself. It suffers the object to preserve its independence for its own
sake. The soul experiences something analogous to divine felicity; it is
transported into a sphere foreign to the miseries of life and
terrestrial existence.
This theory, it is apparent, would need only to be developed to return
wholly to the Platonic theory. Hegel limits himself to referring to it.
We recognize here, also, the results of the Kantian analysis.
II. _Of the Beautiful in Nature._
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