The Journal to Eliza and Various letters by Laurence Sterne and Elizabeth DraperSterne, Laurence
General
The Journal to Eliza and Various letters by Laurence Sterne and Elizabeth Draper
Sterne, Laurence
Draper, Elizabeth, 1744-1778; Novelists, English -- 18th century -- Correspondence; Sterne, Laurence, 1713-1768 -- Correspondence
into Italy, for the pleasure of Weeping over their Tomb Stone—and think
the Sad Luxury, would Administer, more to my Happiness; than half the
Pursuits, which the World styles Pleasant—I never shall contemplate,
their Like again—Sense, Wit, Literature, All the Manly Accomplishments &
Graces, were his!—Beauty, Softness, and every feminine Virtue
Hers!—Their Story was Romantic—their Life Pleasant, and their Deaths I
doubt not most Happy!—You may have heard me speak of them, before—but
never with so much Explicitness—I had my reasons for being reserved on
the subject—They were in England when I left it—but quite Incognito—M^r.
Sterne Introduced me to their Notice—the most Agreable Service, He ever
did me—for till I saw Madame de Martaigne—I never saw the Character, who
came up to my Ideas of Female Beauty & Worth—till I knew her Husband—I
never conceived it possible for a Man to please a whole Life—without the
least Apprehension of Indifference or Satiety! Excuse this Elogium in
their Praise to you my dear James, tho’ you knew them not—You would have
loved, as much as I admired Them—and joined your Tears with mine, for
the Loss of Persons so Amiably distinguished—this subject has such hold
of me, that I cannot readily quit it—and therefore I’ll indulge the
Penserozo Humours, by telling you a couple of little anecdotes, as such
matters often give a better Insight into Character, than all the great
Outlines—Upon reading Lord Lyttletons Monody, on the Death of his
Lucy—she used to wish that Martaigne had wrote, and that she had been
the subject—declaring, that to be so lamented—she would consent to dye,
and that with Pleasure—Westminster Abbey, was her favorite Scene of
Amusement—Contemplation rather—on account of a Monument there inscribed
to the Memory of a M^{rs}. Nightingale, you may have noticed it, as it
is a very Singular one, and well Executed—Death is stalking out of a
Cavern—Aims his Dart at a Woman—and her Husband Endeavors to repel the
Stroke, with an Anxiety and Terror in his Countenance, more Easy to
conceive than describe—M^{rs}. M—— never passed the Abbey _if alone_,
but she called to look at this Monument—often went there, from a very
distant part of the Town, on no other Errand—and never saw it I believe,
but it cost her more Tears, than the deepest wrote Tragedy would have
done. She used to say—that Octavia was the first of all female
Characters in Ancient History—and that Marc Anthony deserved to lose the
World, for his insensibility to the Virtues of such a wife, rather than
for attaching himself to a Cleopatra—Prior of all our English Poets, was
her Favorite—and his Nut brown Maid, her Theme of Admiration whenever it
was named—Solomons Egyptian, was a grand Favorite with her—especially
when she returned the Proffer’d Wreath—afterwards, indeed, the Girl
talked too much—but altogether, she behaved nobly—now poor Afra, _I_
think, was not inferior to her—and deserved a better fate than she met
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