In Lazare the unavowed terror of ceasing to be was, by a logical
contradiction, blended with a ceaseless braggart insistence upon the
nothingness of things. It was his very terror, the want of equilibrium
in his morbid temperament, that drove him into pessimistic ideas and
a mad hatred of life. As it could not last for ever, he looked upon
it as a mere fraud and delusion. Was not the first half of one's days
spent in dreaming of happiness and the latter half in regrets and
fears? He fell back again upon the theories of 'the old one,' as he
called Schopenhauer, whose most violent passages he used to recite from
memory. He expatiated on the desirability of destroying the wish to
live, and so bringing to an end the barbarous and imbecile exhibition
of existence, with the spectacle of which the master force of the
world, prompted by some incomprehensible egotistical reason, amused
itself. He wanted to do away with life in order to do away with fear.
He always harped upon the great deliverance; one must wish nothing
for fear of evil, avoid all action since it meant pain, and thus
sink entirely into death. He occupied himself in trying to discover
some practical method of general suicide, some sudden and complete
disappearance to which all living creatures would consent. This was
perpetually recurring to his mind, even in the midst of ordinary
conversation, when he freely and roughly gave vent to it. The slightest
worry was sufficient to make him cry that he was sorry he was not yet
annihilated; a mere headache set him raging furiously at his body.
If he talked with a friend, his conversation immediately turned upon
the woes of life, and the luck of those who were already fattening
the dandelions in the cemeteries. He had a perfect mania for mournful
subjects, and he was much interested in an article by a fanciful
astronomer who announced the arrival of a comet with a tail which would
sweep the earth away like a grain of sand. Would not this indeed prove
the expected cosmical catastrophe, the colossal cartridge destined to
blow the world to bits like a rotten old boat? And this desire of his
for death, this constant theorizing about universal annihilation, was
but the expression of his desperate struggle with his terror, a mere
vain hubbub of words, by which he tried to veil the awful fear which
the expectation of his end caused him.
Public-domain text, read in full here on John Shaqi.
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