It sometimes happens that the most potent masters in their own right
are also the most potent masters by proxy. They grind out more power
than they can consume in their own particular mill-of-the-gods. I am
inclined to think that Sir Humphry Davy was one of these. He was the
discoverer of chlorine and laughing-gas, and the inventor of the
miner's safety lamp. He was also the _deus ex machina_ who rescued
Faraday from the bookbinder's bench, made him the companion of his
travels, and incidentally poured out the overplus of his own creative
energy upon the youth who has recently been called "perhaps the most
remarkable discoverer of the nineteenth century." Schiller was another
of these. "In more senses than one your sympathy is fruitful," wrote
Goethe to him during the composition of "Faust."
Indeed, the greatest Master known to history was first and foremost a
master by proxy. It was He who declared that we all are "members one
of another." Writing nothing Himself, He inspired others to write
thousands of immortal books. He was unskilled as painter, or sculptor,
or architect; yet the greatest canvases, marbles, and cathedrals since
He trod the earth have sprung directly from his influence. He was no
musician.
"His song was only living aloud."
But that silent song was the direct inspiration of much of the
sublimest music of the centuries to come. And so we might go on and on
about this Master of all vicarious masters.
Yet it is a strange and touching thing to note that even his exuberant
creativeness sometimes needed the refreshment of silent partners. When
He was at last to perform a great action in his own right He looked
about for support and found a master by proxy in Mary, the sister of
the practical Martha. But when He turned for help in uttermost need
to his best-beloved disciples He found them only negative, destructive
influences. This accounts for the anguish of his reproach: "Could ye
not watch with me one hour?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account