The Joyful Wisdom ("La Gaya Scienza"): Complete Works, Volume TenNietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
The Joyful Wisdom ("La Gaya Scienza"): Complete Works, Volume Ten
Nietzsche, Friedrich Wilhelm
Philosophy
and contagion; there the neighbour rules, there one _becomes_ a
neighbour...." (I have forgotten to mention what my enlightened
Wagnerian answered to my physiological objections: "So the fact is that
you are really not healthy enough for our music?"--)
369.
_Juxtapositions in us._--Must we not acknowledge to ourselves, we
artists, that there is a strange discrepancy in us; that on the one
hand our taste, and on the other hand our creative power, keep apart in
an extraordinary manner, continue apart, and have a separate growth;--I
mean to say that they have entirely different gradations and _tempi_ of
age, youth, maturity, mellowness and rottenness? So that, for example,
a musician could all his life create things which _contradicted_
all that his ear and heart, spoilt for listening, prized, relished
and preferred:--he would not even require to be aware of the
contradiction! As an almost painfully regular experience shows, a
person's taste can easily outgrow the taste of his power, even without
the latter being thereby paralysed or checked in its productivity. The
reverse, however, can also to some extent take place,--and it is to
this especially that I should like to direct the attention of artists.
A constant producer, a man who is a "mother" in the grand sense of the
term, one who no longer knows or hears of anything except pregnancies
and child-beds of his spirit, who has no time at all to reflect and
make comparisons with regard to himself and his work, who is also no
longer inclined to exercise his taste, but simply forgets it, letting
it take its chance of standing, lying or falling,--perhaps such a man
at last produces works _on which he is then quite unfit to pass a
judgment:_ so that he speaks and thinks foolishly about them and about
himself. This seems to me almost the normal condition with fruitful
artists,--nobody knows a child worse than its parents--and the rule
applies even (to take an immense example) to the entire Greek world of
poetry and art, which was never "conscious" of what it had done....
370.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account