expectation of recovering the capital he had sunk in it; for she had noticed that whenever Mr. Philip felt miserable he was wont to try and cheer himself by suggesting that somebody had been "done." But that worry was dissolved by the enchantment of Yaverland's answer. He hadn't the slightest idea what he had paid for the villa. It happened this way. He had won a lot of money at poker ("Tchk! Tchk!" said Mr. Philip, half shocked, but showing by the way he put one thumb in his waistcoat arm-hole that he was so far sensible of the change in the atmosphere that he felt the need of some romantic gesture), and had felt no shame in pocketing it since it came from a man who was gambling to try to show that he wasn't a Jew. Ellen hated him for that. She believed in absolute racial equality, and sometimes intended to marry a Hindu as a propagandist measure. And then he had remembered that a friend of his, de Cayagun of the Villa Miraflores, was broke and wanted to move. Even Rio was tired of poor de Cayagun, though he'd given it plenty of fun. There had been great times at the villa. His phrases, which seemed to have scent and colour as well as meaning, made her see red pools of wine on the marble floor and rose wreaths about the bronze whale's snout, and hear from the orange grove the sound of harps, yet from a sullenness in his faint smile she deduced there had been something dark in this delight. Perhaps somebody had got drunk. But he was saying now that that time had come to an end long before the night when he had won this money from Demetrios. De Cayagun had no more jewels to give away and even the servants had all left him.... She saw night invading the villa like a sickness of the light, the pools of wine lying black on marble that the dusk had made blue like cold flesh; and this stranger standing white-faced in the stripped banquet-hall, with the broken body of the Venus on a bier at his feet and above his head the creaking wings of birds come to establish desolation under the shattered roof. Why was he so sad because some people who were members of the parasite class and were probably devoid of all political idealism had had to stop having a good time? It was, she supposed, that ethereal abstract sorrow, undimmed by personal misery and unconfined by the syllogisms of moral judgment, that poets feel: that Milton had felt when he wrote "Comus" about somebody for whom he probably wouldn't have mixed a toddy, that she herself had often felt when the evening star shone its small perfect crescent above the funeral flame of the day. People would call it a piece of play-acting nonsense just because of its purity and their inveterate peering liking for personal emotion, which they seemed to honour according to its intensity even if that intensity progressed towards the disagreeable. She remembered how the neighbours had all respected Mrs. Ball in the house next door for the terrific manifestations of her abandonment to the grief of widowhood. "Tits,