Scotland -- Social life and customs -- 19th century -- Fiction
To see things in terms of Marion was weak, and a distraction from
delight. She could neither behold things for their own sake, as she had
up till this autumn, nor for Richard's sake, as she had till yesterday
evening. But she was forced to wonder about this woman who had been able
to be Richard's mother and who was yet so little what one approved of,
and who yet again was so picturesque that one had to watch her with
pleasant intensity that was not usually associated with dislike. Even
when she looked on the astonishing scene that lay before her when they
stepped on to the platform at Roothing station she was distracted from
her astonishment by a sense that she would afterwards maintain an
argument on the subject with Marion. The surroundings were ignobly ugly,
as eggshells and scraps of newspaper trodden into waste ground are ugly.
She was prepared to tell Marion so, though it was her own town. There
had not been sufficient space to build a station with the up and down
platforms facing each other, so the up platform was further back,
facing the harbour, and this down platform was overshadowed on its
landward side by smoke-grimed cottages and tenements which rose on high
ground in a peak of squalor. Seawards one looked over a goods-siding,
where there stood a few wagons of cockle-shells and a cinderpath
esplanade on to a vast plain of mud.
It could not be beautiful. A plain of mud could not be beautiful. Yet
the mind could dwell contentedly on this new and curious estate of
nature, this substance that was neither earth nor water, this place that
was neither land nor sea. It had its own colours: in the shadow of the
great couchant cloud whose mane was brassy with sunshine that had lodged
in the upper air it was purple; otherwise it was brown; and where the
light lay it was as bright as polished steel, yet giving in its
brightness some indication of its sucking softness. It had its own
strange scenery; it had its undulations and its fissures, and between
deep, rounded, shining banks, a course marked here and there by the
stripped white ghosts of sapling trees, a winding river flowed out to
the far-off channel of the estuary which lay a grey bar under the dark
line of the Kentish hills.
Public-domain text, read in full here on John Shaqi.
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