It supported its own life; hundreds of black fishing-boats and some large vessels leaned this way and that, high and dry on the mud, like flies stuck on a window-pane, and up on the river, whose waters were now flowing from the sea to the land, men came in dingeys, not rowing, but bending their bodies indolently and without effort, because they were back-watering with the tide, so that their swift advance looked as if it were made easy by sorcery. They slackened speed before they came to the wharf, which just here by the station jutted out in a grey bastion surmounted by the minatory finger of a derrick, and some of them climbed out and put round baskets full of shining fish upon their heads, and, walking struttingly to brake their heavy boots on the slippery mud, followed a wet track up to the cinderpath. They looked stunted and fantastic like Oriental chessmen. It was strange, but this place had the quality of beauty. It laid a finger on the heart. Moreover, it had a solemn quality of importance. It was as if this was the primeval ooze from which the first life stirred and crawled landwards to begin to make this a memorable star. Again the place seemed curiously like Marion. It might well have been that to make her a god had modelled a figure in this estuary mud and breathed on it, so much, in her sallow colouring and the heavy impassivity which was the equivalent of the plain's monotony, did she partake of its qualities. Her behaviour, too, was grand like the plain and yet composed of material that, as stuff for grandeur, was almost as uncompromising as mud. She took the girl to the railings and made her look out to the sea, saying, "It is rather fine in a queer way, isn't it? When I was a girl I could run dryshod to the very end of the channel, and I daresay Richard could still." Ellen shivered. "Is it not terribly lonely out there, just under the sky?"