For--as long melodies are sweet, but sweeter
Poems in short instalments, such as mine--
Seven full days, teased puppet of this metre,
Must thy parched tongue await that roseate wine;
Seven full nights, fond boy, must thou entreat her;
Whilst mantle to her cheeks, incarnadine,
Youth’s beauty, beauty’s youth--and readers vex’t
Know, need know, nothing more till Tuesday next.
V.
_Brings life to week-old statues; makes them prance
To love’s light tune--and ends the Seymours’ dance._
Pale shapes I locked in memory’s studio,
Your draperies stir. From vein to marble vein
The life-blood leaps. Eyes gleam, and pulses glow.
Once more my octaves rap their old refrain
To re-create the weekly puppet-show.
Fond boy, to work! My Jill’s herself again,
And answers your entreaty--sideways glancing--
“Perhaps I will. It’s jolly hot for dancing.”
So they twain pass--smart sub. and flapper stately--
From the high halls of Gunter’s prank’t refection.
And out across the waxèd boards, where lately
Twirled the swift waltz to _La Poupée’s_ “Selection.”
And on, past couples gossiping sedately;
And on, past couples screened against detection;
To a dim-shaded, fairy-lighted alcove,
Fit haunt for single maid and single tall cove:--
Such as--in land of Taj Mahal and mugger,
Where girls book weeks ahead their supper dances--
Screens some pale flirt, some lad who yearns to hug her,
From the brown _khitmatghar’s_ averted glances.
(Who knows thy secrets, darkling _Kala-juggah_--
The orbs downcast, the fingers’ coy advances,
The swiftly stifled sob that hooks the stripling--
Save I, Victoria Cross, and Rudyard Kipling!)
And there, beneath the new-sponged potted palm-tree,
That mid-day brought and morning shall remove--
Mayfair’s own wind-unruffled, ever-calm tree,
Whose drooping branches shield Mayfairies’ love--
She lisps of Waller parts, and thy dead charm, Tree
(Twin stars now shining in the “flies” above!);
While he admits he has or hasn’t seen them ...
Till a shy sudden silence falls between them,
A cloud across the sun of lightling banter.
O Jill, my gold-spoon cake-and-Moët miss!
Hast thou not dreamed, since thy first tam-o’-shanter,
Of soldier boy, of dance-night such as this?
Faintly they catch the polka’s throb, the canter
Of homing hansom-cab where lovers kiss:
And “Oh,” thinks he, “what eyes, what lips, what hair, too!”
And “Oh,” thinks she “the ninny doesn’t dare to.”
Public-domain text, read in full here on John Shaqi.
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