After lunch Frank and Margery went down to the river and cruised about
in a little boat, exploring, as they had explored a hundred times
before, the unexpected but well-known little creeks which ran up
between the hummocks of the broad-backed hills, shut in and shadowed
by delicate-leaved beech-trees. When the tide was high it was possible
to get some way up into these wooded retreats, and by remaining
very still, or going quickly and silently round a corner, you might
sometimes catch sight of a kingfisher flashing up from the shallows
and darting along the lane of flecked sunlight like a jewel flung
through the air. There had been a frost, the first of the year, the
night before, and the broad-leaved docks and hemlocks lining the banks
had still drops of moisture on their leaves like pearls or moon-stones
_semées_ on to green velvet. The woods had taken a deeper autumnal tint
in the last two days, and already the five-ribbed chestnut leaves,
the first of all to fall, were lying scattered on the ground. Every
now and then a rabbit scuttled away to seek the protection of thicker
undergrowth, or a young cock pheasant, as yet unmolested, stood and
looked at the intruders.
Margery was surprised to find how great the relief of getting Frank
away from his picture was. The horrible guilty look on the portrait's
face, and, more than that, the knowledge that it was a terribly true
realization of her husband's expression, disturbed her more than she
liked to admit even to herself.
But nothing, she determined--not if all the ghosts out of the
_Decameron_ sat in her husband's eyes--should make her abandon her
resolution of compelling Frank to finish it. She did not believe in
occult phenomena of this description; no painting of any portrait
could alter the painter's nature. To get tired and anxious was not the
same as losing your personality; the first, if one was working well
and hard, was inevitable; the second was impossible, it was nonsense.
Decidedly she did not believe in the possibility of his losing his
personality. But with all her resolutions to the contrary, she could
not help wondering what the other fear, which she had forbidden him
to tell her, was. Vaguely in her own mind she connected it with that
strange shudder she had felt when she saw him the night before; and
quite irrelevantly, as it seemed to her, the image came into her mind
of something hidden rising to the surface--of the sea giving up its
dead....
Public-domain text, read in full here on John Shaqi.
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