The children pressed round her, and her hands were soon at their proud and
anxious work: coaxing stray curls into their place; proving the strength
of the little arms; slipping a sock, to show the marbled rose of the round
limbs.
"Just feel Emmy's legs. She's as firm as firm. And look at Baby, how
beautifully he's made. They're all healthy. There isn't an unsweet,
unsound spot in one of them."
[Illustration: "'There isn't an unsweet, unsound spot in one
of them'"]
"No, no, they look it. They're magnificent. And they're you all over
again."
"Barbara wasn't. She was the very image of her father." Her love of him
conquered the stubborn silence of her grief, so that she did not shrink
from the beloved name.
"Susie," she said, when the little procession had, at its own petition,
filed solemnly out again, "you can't say you've seen too much of them."
Susie smiled sadly as she looked at the wreck that was poor Aggie. "No, my
dear; but I haven't seen quite enough of you. There isn't much left of
you, you know."
"Me?" She paused, and then broke out again, triumphant in her
justification: "No matter if there's nothing left of me. _They're_ alive."
She raised her head. Worn out and broken down she might be, but she was
the mother of superb children. Something stronger and more beautiful than
her lost youth flamed in her as she vindicated her motherhood. She struck
even Susie's dull imagination as wonderful.
Half an hour later Aggie bent her aching back again over her work. She had
turned a stiff, set face to Susie as she parted from her. John had come
and gone, and it had not been awkward in the least. He was kind and
courteous (time and prosperity had improved him), but he had, as Susie
said, no eyes for any one but his wife.
As Aggie worked she was assailed by many thoughts and many memories. Out
of the past there rose a sublime and patient face. It smiled at her above
a butchery of little lambs.
Public-domain text, read in full here on John Shaqi.
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