Mountain life -- Fiction; Tennessee, East -- Fiction
It fell flat in Etowah Cove. There were people in the audience who,
if they could not sing, were intimately persuaded that they could;
and after all, that is the essential element of satisfaction. The
modulation, the delicate shades of expression, the refinement of style,
were all lost on the majority; only here and there a discerning ear
was pricked up, appreciating in the concord of sweet sounds something
out of the common. But there was no sign of approval, and in the dead
silence which succeeded the final roulade, coming so trippingly off,
the juggler showed certain symptoms of embarrassment and discomfiture.
One might easily perceive from the deft assurance of his exploits of
sleight of hand that the value he placed upon them was far cheaper than
his estimate of his singing. It was a susceptible sort of vanity that
could be hurt by the withheld plaudits of Etowah Cove; but vanity is
a sensitive plant, and requires tender nurture. He stood silent and
flushing for a moment, while still a gentle fibrous resonance seemed to
pervade the room,--the memory of the song rather than its echo; then,
with a sudden flouting airy whirl, he turned on his heel, and caught
off the cloth that had enveloped the pail of earth containing the
persimmon seed which he had just planted. And lo! glossy and green and
lustrous in the light, there stood a fair young shoot, some two feet
in height, and with all its leaves a-rustle. It was a good trick and
very cleverly done.
The little building once more was a babel of sounds. The flying
squirrel scrambled back to the king-post, pausing once to look down in
half-frightened amazement. The window-panes reflected a kaleidoscope
of bright bits of color swiftly swaying, for the audience was in a
turmoil. It was not, however, the artistic excellence of the feat which
swayed the spectators, but its agricultural significance. This, the old
farmers realized, was indeed necromancy. Their struggles with the tough
and reluctant earth, which so grudgingly responds to toil, oft with
such hard-exacted usury, taking so much more than it gives, and which
only the poet or the weed-loving botanist calls generous and fruitful,
had served to teach them that this kind of growth must needs come only
through the wiles of the deluding devil. Not even an agricultural
paper--had they known of such a sophistication--could countenance
such deceits. A grim, ashen-tinted face with gray hair appeared near
the back of the building; a light gray homespun coat accentuated its
pallor. A long finger was warningly shaken at the juggler, as he stood,
triumphant, flushed, beside the flourishing shoot he had evoked from
the persimmon seed, but only half smiling, for something sinister in
the commingled voices had again smitten his attention. Then he was
arraigned by Parson Greenought with the solemn adjuration in a loud
tone, “Pause, Mr. Showman, pause!”
Public-domain text, read in full here on John Shaqi.
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