Mountain life -- Fiction; Tennessee, East -- Fiction
Royce found an opportunity to peer out in his turn upon the scene in
the dusky clare-obscure. Here and there the yellow globes of the shaded
lamps shed abroad their tempered golden lustre, and occasionally there
came to his eye a pearly gleam from a fluttering fan, or the prismatic
glitter of a diamond, or the ethereal suggestion of a girl in white in
the midst of such sombre intimations of red and brown and deeply purple
and black in the costumes of the dark-robed elders that they might
hardly be accounted as definite color in the scale of chromatic values.
With such a dully rich background and the dim twilight about her, the
figure and face of the girl he sought showed as if in the glamours of
some inherent light, reminding him of that illuminating touch in the
method of certain painters whose works he had seen in art galleries,
in which the radiance seems to be in the picture, independent of the
skylight, and as if equally visible in the darkest night. She wore a
green dress of some silken texture, so faint of hue that the shadows
of the soft folds appeared white. It was fashioned with a long, slim
bodice, cut square in the neck, and a high, flaring ruff of delicate
old lace, stiff with a Medici effect, that rose framing the rounded
throat and small head with its close and high-piled coils of black
hair, through which was thrust a small comb of carved coral of the
palest possible hue. She might have been a picture, so still and silent
she sat, so definitely did the light emanate from her, so completely
did the effect of the pale, lustrous tints of her attire reduce to the
vague nullities of a mere background the nebulous dark and neutral
shades about her. How long Royce stood and gazed with all his heart in
his eyes he never knew. He saw naught else. He heard naught of the stir
of the audience, or the wild wind without, or the babel upon the stage
where he was. He came to himself only when he was clutched by the arm
and admonished to clear the track, for at last the curtain was to be
rung up.
What need to dwell on the tremulous eagerness and wild despair of that
moment,--the glee club all ranged in order on the stage, and with
heart-thumping expectation, the brisk and self-sufficient tinkle of the
bell, the utter blank immovableness of the curtain, the subdued delight
of the audience? Another tintinnabulation, agitated and querulous; a
mighty tug at the wings; a shiver in the fabric, a sort of convulsion
of the texture, and the curtain goes up in slow doubt,--all awry and
bias, it is true, but still revealing the “musicianers,” a trifle
dashed and taken aback, but meeting a warm and reassuring reception
which they do not dream is partly in tribute to the clownish tricks of
the curtain.
Public-domain text, read in full here on John Shaqi.
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