Royce, suddenly all in heart, exhilarated by the mere sight of her, flung himself ardently into the preparations progressing in the close little pens on either side and at the rear of the stage. The walls of these were mere partitions reaching up only some ten feet toward the ceiling, and they were devoid of any exit save through the stage and the eye of the public. Hence it had been necessary that all essentials should be carefully looked to and provided in advance. Now and then, however, a wild alarum arose because of the apparent non-existence of some absolutely indispensable article of attire or furniture, succeeded by embarrassed silence on the part of the mourner when the thing in question was found, and a meek submission to the half-suppressed expletives of the rest of the uselessly perturbed company. It was a scene of mad turmoil. Young men already half clad in feminine attire were struggling with the remainder of their unaccustomed raiment,--the actors to take part in the farce “The New Woman.” Others were in their white flannel suits,--no longer absolutely white,--hot, dusty, perspiring, the scene-shifters and the curtain contingent, all lugubriously wiping their heated brows and blaming one another. The mandolin and banjo players, in faultless evening dress, stood out of the rush and kept themselves tidy. And now arose a nice question, in the discussion of which all took part, becoming oblivious, for the time, of the audience without and the tra-la-la-ing of the glee singers, the boyish tones of argument occasionally rising above these melodious numbers. It was submitted that in case the audience should call for the author of “The New Woman,”--and it would indeed be unmannerly to omit this tribute,--the playwright ought to be in full dress to respond, considering the circumstances, the place, and the full dress of the audience. And here he was in his white flannel trousers and a pink-and-white striped blazer at this hour of the night, and his room a quarter of a mile away in a pitching mountain rain, whither certain precisians would fain have him hie to bedizen himself. He listened to this with a downcast eye and a sinking heart, and doubtless would have acted on the admonition save for the ludicrous effect of emerging before the audience as he was, and returning to meet the same audience in the blaze of full-dress glory. “It’s no use talking,” he said at last, decisively. “We are caught here like rats in a trap. There is no way of getting out without being seen. I wonder I didn’t think to have a door cut.”