Africa, West -- Description and travel; Missions -- Africa
One who is accustomed to the maple, beech, oak and pine, finds the
African forest strangely unfamiliar. There are extremes of soft and hard
woods; and one will soon observe that as a rule the soft woods have large
leaves, while most of the hard woods have small leaves. Teak, mahogany,
lignum vitæ, ebony and camwood are characteristic. The most striking and
beautiful tree of the forest is a species of cotton wood. It grows an
enormous height, with a silver-gray trunk like a column of granite, and
is supported by immense buttresses. In the primeval forest, that which
has not at any time been cut down for man’s habitation, the foliage is
very high and the gray trunks suggest the columns of a cathedral. The
branches above interlace, forming a canopy of foliage and excluding the
sun. Cable vines of various sizes, many of them six or eight inches in
diameter, lash the trees together, ascending the tree trunks in a spiral
coil like an endless python and sometimes strangling them to death, then
swinging from tree to tree in loops and coils, gnarled and twisted. The
foliage and flowers of these spread through the tree tops, making the
dim light below more dim, and from the swinging cables an undisciplined
profusion of other vines and various hanging plants depend in festoons
and draperies, all interwoven in bewildering confusion. The ground is
covered with a thick compost of rotting leaves and branches and insects.
Every few yards a giant tree trunk lies prostrate and is filled with
myriad insects that will soon devour it.
Lightning sometimes strikes the tallest trees, which come crashing down
bringing half a dozen others with them. Then in this open place where
the sunlight reaches the ground there shoots up with amazing rapidity
a tangled undergrowth, from which young trees race upwards to secure
the light and air in such rivalry and struggle that the weak are soon
strangled or crowded to death, and the battle is to the swift.
The poet William Watson in melodious verses prays for—
“The advent of that morn divine
When nations may as forests grow,
Wherein the oak hates not the pine,
Nor beeches wish the cedars woe,
But all in their unlikeness blend
Confederate to one golden end.”
No one will deny that this is beautiful poetry; but it is deplorably
false science. Nothing could be more untrue to the facts. The oak, the
pine and the cedar, considered as living things with conscious aims and
individual interests (for that is how the poet would have us consider
them), do hate each other with a hatred to which there is no parallel in
human society. Men sacrifice for each other, and we even have martyrs.
But in the forest there is no sacrifice, no martyrdom, nor do trees
ever confederate; but each fights for itself in a ceaseless and savage
struggle. And nowhere else in the forest world is the struggle for
existence so remorseless as in the tropic zone of Africa; for nowhere
else is variety so profuse and growth so rapid.
Public-domain text, read in full here on John Shaqi.
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