The Junior Classics, Volume 5: Stories that never grow old
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The Junior Classics, Volume 5: Stories that never grow old
Children's literature
The slave returned laughing so heartily that the princess rebuked
her. "Madam," answered the slave, laughing still, "who can forbear
laughing, to see an old man with a basket on his arm, full of fine
new lamps, asking to change them for old ones? The children and
mob crowding about him so that he can hardly stir, make all the
noise they can in derision of him."
Another female slave, hearing this, said: "Now you speak of lamps,
I know not whether the princess may have observed it, but there is
an old one upon a shelf of the Prince Aladdin's robing-room, and
whoever owns it will not be sorry to find a new one in its stead.
If the princess chooses, she may have the pleasure of trying if
this old man is so silly as to give a new lamp for an old one,
without taking anything for the exchange."
The princess, who knew not the value of this lamp, and the
interest that Aladdin had to keep it safe, entered into the
pleasantry, and commanded a slave to take it and make the
exchange. The slave obeyed, went out of the hall, and no sooner
got to the palace gates than he saw the African magician, called
to him, and, showing him the old lamp, said, "Give me a new lamp
for this."
The magician never doubted but this was the lamp he wanted. There
could be no other such in this palace, where every utensil was
gold or silver. He snatched it eagerly out of the slave's hand,
and, thrusting it as far as he could into his breast, offered him
his basket, and bade him choose which he liked best. The slave
picked out one, and carried it to the princess; but the change
was no sooner made than the place rung with the shouts of the
children, deriding the magician's folly.
The African magician stayed no longer near the palace, nor cried
any more, "New lamps for old ones!" but made the best of his way
to his khan. His end was answered; and by his silence he got rid
of the children and the mob.
Public-domain text, read in full here on John Shaqi.
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