The Junior Classics, Volume 6: Old-Fashioned Tales
General
The Junior Classics, Volume 6: Old-Fashioned Tales
Children's literature
It had cost much pains and many dainty morsels, to drill Sir Charles,
with all the aid of his excellent fundamental education; and the great
fear had been that he might fail them at the last. But the scenes were
rapid, in consideration of canine infirmity. If the cupboard was
empty, Mother Hubbard's basket behind was not; he got his morsels
duly; and the audience was "requested to refrain from applause until
the end." Refrain from laughter they could not, as the idea dawned
upon them and developed; but Sir Charles was used to that in the
execution of his ordinary tricks; he could hardly have done without it
better than any other old actor. A dog knows when he is having his
day, to say nothing of doing his duty; and these things are as
sustaining to him as to anybody. This state of his mind, manifest in
his air, helped also to complete the Young America expression. Mother
Hubbard's mingled consternation and pride at each successive
achievement of her astonishing puppy were inimitable. Each separate
illustration made its point. Patriotism, especially, came in when the
undertaker, bearing the pall with red-lettered border,--Rebellion,--finds
the dog, with upturned, knowing eye, and parted jaws, suggestive as
much of a good grip as of laughter, half risen upon fore-paws, as far
from "dead" as ever, mounting guard over the old bone "Constitution."
The curtain fell at last, amid peals of applause and calls for the
actors.
Dakie Thayne had accompanied with the reading of the ballad, slightly
transposed and adapted. As Leslie led Sir Charles before the curtain,
in response to the continued demand, he added the concluding stanza,--
"The dame made a courtesy,
The dog made a bow;
The dame said, 'Your servant,'
The dog said, 'Bow-wow.'"
Which, with a suppressed "Speak, sir!" from Frank Scherman, was
brought properly to pass. Done with cleverness and quickness from
beginning to end, and taking the audience utterly by surprise,
Leslie's little combination of wit and sagacity had been throughout a
signal success. The actors crowded round her. "We'd no idea of it!"
"Capital!" "A great hit!" they exclaimed. "Mother Hubbard is the star
of the evening," said Leonard Brookhouse. "No, indeed," returned
Leslie, patting Sir Charles's head,--"this is the dog-star." "Rather
a Sirius reflection upon the rest of us," rejoined Brookhouse,
shrugging his shoulders, as he walked off to take his place in the
"Oath," and Leslie disappeared to make ready for "Barbara Frietchie."
Several persons, before and behind the curtain, were making up their
minds, just now, to a fresh opinion. There was nothing so very slow or
tame, after all, about Leslie Goldthwaite. Several others had known
that long ago.
"Taking the Oath" was piquant and spirited. The touch of restive scorn
that could come out on Martha Josselyn's face just suited her part;
and Leonard Brookhouse was very cool and courteous, and handsome and
gentlemanly-triumphant as the Union officer.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account