Diadema Bascom was a person of some sentiment. When her old father, Captain Dennett, was dying, he drew a wallet from under his pillow, and handed her a twenty-dollar bill to get something to remember him by. This unwonted occurrence burned itself into the daughter’s imagination, and when she came as a bride to the Bascom house she refurnished the sitting-room as a kind of monument to the departed soldier, whose sword and musket were now tied to the wall with neatly hemmed bows of bright red cotton. The chair cushions were of red-and-white glazed patch, the turkey wings that served as hearth brushes were hung against the white-painted chimney-piece with blue skirt braid, and the white shades were finished with home-made scarlet “tossels.” A little whatnot in one corner was laden with the trophies of battle. The warrior’s brass buttons were strung on a red picture cord and hung over his daguerreotype on the upper shelf; there was a tarnished shoulder strap, and a flattened bullet that the captain’s jealous contemporaries swore _he_ never stopped, unless he got it in the rear when he was flying from the foe. There was also a little tin canister in which a charge of powder had been sacredly preserved. The scoffers, again, said that “the cap’n put it in his musket when he went into the war, and kep’ it there till he come out.” These objects were tastefully decorated with the national colors. In fact, no modern æsthete could have arranged a symbolic symphony of grief and glory with any more fidelity to an ideal than Diadema Bascom, in working out her scheme of red, white, and blue. Rows of ripening tomatoes lay along the ledges of the windows, and a tortoiseshell cat snoozed on one of the broad sills. The tall clock in the corner ticked peacefully. Priscilla Hollis never tired of looking at the jolly red-cheeked moon, the group of stars on a blue ground, the trig little ship, the old house, and the jolly moon again, creeping one after another across the open space at the top. Jot Bascom was out, as usual, gathering statistics of the last horse trade; little Jot was building “stickin’” houses in the barn; Priscilla was sewing long strips for braiding; while Diadema sat at the drawing-in frame, hook in hand, and a large basket of cut rags by her side.