Not many weeks before she had paid one of her periodical visits to the
attic. No housekeeper in Pleasant River save Mrs. Jonathan Bascom would
have thought of dusting a garret, washing the window and sweeping down
the cobwebs once a month, and renewing the camphor bags in the chests
twice a year; but notwithstanding this zealous care the moths had made
their way into one of her treasure-houses, the most precious of all—the
old hair trunk that had belonged to her sister Lovice. Once ensconced
there, they had eaten through its hoarded relics, and reduced the faded
finery to a state best described by Diadema as “reg’lar riddlin’ sieves.”
She had brought the tattered pile down into the kitchen, and had spent
a tearful afternoon in cutting the good pieces from the perforated
garments. Three heaped-up baskets and a full dish-pan were the result;
and as she had snipped and cut and sorted, one of her sentimental
projects had entered her mind and taken complete possession there.
“I declare,” she said, as she drew her hooking-needle in and out, “I
wouldn’t set in the room with some folks and work on these pieces; for
every time I draw in a scrap of cloth Lovice comes up to me for all the
world as if she was settin’ on the sofy there. I ain’t told you my plan,
Miss Hollis, and there ain’t many I shall tell; but this rug is going to
be a kind of a hist’ry of my life and Lovey’s wrought in together, just
as we was bound up in one another when she was alive. Her things and
mine was laid in one trunk, and the moths sha’n’t cheat me out of ’em
altogether. If I can’t look at ’em wet Sundays, and shake ’em out, and
have a good cry over ’em, I’ll make ’em up into a kind of dumb show that
will mean something to me, if it don’t to anybody else.
“We was the youngest of thirteen, Lovey and I, and we was twins. There’s
never been more’n half o’ me left sence she died. We was born together,
played and went to school together, got engaged and married together, and
we all but died together, yet we wa’n’t a mite alike. There was an old
lady come to our house once that used to say, ‘There’s sister Nabby, now:
she’n’ I ain’t no more alike ’n if we wa’n’t two; she’s jest as dif’rent
as I am t’other way.’ Well, I know what I want to put into my rag story,
Miss Hollis, but I don’t hardly know how to begin.”
Priscilla dropped her needle, and bent over the frame with interest.
“A spray of two roses in the center—there’s the beginning; why, don’t you
see, dear Mrs. Bascom?”
Public-domain text, read in full here on John Shaqi.
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