The Kabbalah: its doctrines, development, and literatureGinsburg, Christian D. (Christian David)
Religion
The Kabbalah: its doctrines, development, and literature
Ginsburg, Christian D. (Christian David)
Cabala
From this brief analysis of its component parts and contents, it will
be seen that the Sohar does not propound a regular Kabbalistic system,
but promiscuously and reiteratedly dilates upon the diverse doctrines
of this theosophy, as indicated in the forms and ornaments of the
Hebrew alphabet, in the vowel points and accents, in the Divine names
and the letters of which they are composed, in the narratives of the
Bible, and in the traditional and national stories. Hence the Sohar is
more a collection of homilies or rhapsodies on Kabbalistic subjects
than treatises on the Kabbalah. It is for this very reason that it
became the treasury of the Kabbalah to the followers of this theosophy.
Its diversity became its charm. The long conversations between its
reputed author, R. Simon b. Jochai, and Moses, the great lawgiver and
true shepherd, which it records; the short and pathetic prayers
inserted therein; the religious anecdotes; the attractive spiritual
explanations of scripture passages, appealing to the hearts and wants
of men; the description of the Deity and of the Sephiroth under tender
forms of human relationships, comprehensible to the finite, mind, such
as father, mother, primeval man, matron, bride, white head, the great
and small face, the luminous mirror, the higher heaven, the higher
earth, &c, which it gives on every page, made the Sohar a welcome
text-book for the students of the Kabbalah, who, by its vivid
descriptions of divine love, could lose themselves in rapturous
embraces with the Deity.
Now, the Sohar pretends to be a revelation from God, communicated
through R. Simon b. Jochai, who flourished about A.D. 70–110, to his
select disciples. We are told that “when they assembled to compose the
Sohar, permission was granted to the prophet Elias, to all the members
of the celestial college, to all angels, spirits, and superior souls,
to assist them; and the ten spiritual substances [i.e., Sephiroth] were
charged to disclose to them their profound mysteries, which were
reserved for the days of the Messiah.” On the approach of death, R.
Simon b. Jochai assembled the small number of his disciples and
friends, amongst whom was his son, R. Eleazar, to communicate to them
his last doctrines, [57] “when he ordered as follows—R. Aba shall
write, R. Eleazar, my son, propound, and let my other associates
quietly think about it.” (Idra Suta, Sohar, iii, 287 b.) It is upon the
strength of these declarations, as well as upon the repeated
representation of R. Simon b. Jochai as speaking and teaching
throughout this production, that the Sohar is ascribed to this Rabbi on
its very title-page, and that not only Jews, for centuries, but such
distinguished Christian scholars as Lightfoot, Gill, Bartolocci,
Pfeifer, Knorr von Rosenroth, Molitor, &c., have maintained this
opinion. A careful examination, however, of the following internal and
external evidence will show that this Thesaurus of the Kabbalah is the
production of the thirteenth century.
Public-domain text, read in full here on John Shaqi.
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