The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful artsBrewster, David
Science
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts
Brewster, David
Kaleidoscopes
“Draw a large circle upon paper; divide it into three, four, five, six,
seven, or eight equal parts; which being done, we may draw in every one
of the divisions a figure, at our pleasure, either for garden-plats or
fortifications; as, for example, in Fig. 55, we see a circle divided
into six parts, and upon the division marked =F= is drawn part of a
design for a garden. Now, to see that design entire, which is yet
confused, we must place our glasses upon the paper, and open them to
the sixth part of the circle, _i.e._, one of them must stand upon the
line _b_, to the centre, and the other must be opened exactly to the
point _c_; so shall we discover an entire garden-plot in a circular
form (if we look into the glasses), divided into six parts, with as
many walks leading to the centre, where we shall find a basin of an
hexagonal figure.
“The line =A=, where the glasses join, stands immediately over the
centre of the circle, the glass =B= stands upon the line drawn from the
centre to the point =C=, and the glass =D= stands upon the line leading
from the centre to the point =E=: the glasses being thus placed, cannot
fail to produce the complete figure we look for; and so whatever equal
part of a circle you mark out, let the line =A= stand always upon the
centre, and open your glasses to the division you have made with your
compasses. If, instead of a circle, you would have the figure of a
hexagon, draw a straight line with a pen from the point _c_ to the
point _b_, and, by placing the glasses as before, you will have the
figure desired.
“So likewise a pentagon may be perfectly represented, by finding the
fifth part of a circle, and placing the glasses upon the outlines of
it; and the fourth part of a circle will likewise produce a square, by
means of the glasses, or, by the same rule, will give us any figure
of equal sides. I easily suppose that a curious person, by a little
practice with these glasses, may make many improvements with them,
which, perhaps, I may not have yet discovered, or have, for brevity
sake, omitted to describe.
“It next follows that I explain how, by these glasses, we may, from the
figure of a circle, drawn upon paper, make an oval; and also, by the
same rule, represent a long square from a perfect square. To do this,
open the glasses, and fix them to an exact square; place them over a
circle, and move them to and fro till you see the representation of
the oval figure you like best; and so, having the glasses fixed, in
like manner move them over a square piece of work till you find the
figure you desire of a long square. In these trials you will meet with
many varieties of designs. As for instance, Fig. 56, although it seems
to contain but a confused representation, may be varied into above
two hundred different representations, by moving the glasses over it,
which are opened and fixed to an exact square. In a word, from the most
trifling designs, we may, by this means, produce some thousands of good
draughts.
Public-domain text, read in full here on John Shaqi.
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