The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful artsBrewster, David
Science
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts
Brewster, David
Kaleidoscopes
The first and most simple method consists in bringing the tube about
half an inch beyond the ends of the reflectors. A circular piece of
thin plane glass of the same diameter as the tube, is then pushed into
the tube, so as to touch the reflectors. The pieces of coloured glass
being laid upon this piece of glass when the tube is held in a vertical
position, another similar disc of plane glass, having its outer surface
ground with fine emery, is next placed above the glass fragments, being
prevented from pressing upon them, or approaching too near the first
plane glass by a ring of copper or brass; and is kept in its place
by burnishing down the end of the tube. The eye being placed at the
other end of the instrument, the observer turns the whole round in
his hand, and perceives an infinite variety of beautiful figures and
patterns, in consequence of the succession of new fragments, which are
brought opposite the aperture by their own gravity, and by the rotatory
motion of the tube. In this rude state, however, the instrument is by
no means susceptible of affording very pleasing exhibitions. A very
disagreeable effect is produced by bringing the darkest sectors, or
those formed by the greatest number of reflexions, to the upper part
of the circular field, and though the variety of patterns will be very
great, yet the instrument is limited to the same series of fragments,
and cannot be applied to the numerous objects which are perpetually
presenting themselves to our notice. These evils can be removed only
by adopting the construction shown in Fig. 22, in which the reflectors
reach the very end of the tube. Upon the end of the tube _a b_, _c
d_, Fig. 22, is placed a ring of brass, _m n_, which moves easily upon
the tube _a b c d_, and is kept in its place by a shoulder of brass
on each side of it. A brass cell, =M N=, is then made to slip tightly
upon the moveable ring _m n_, so that when the cell is turned round by
means of the milled end at =M N=, the ring _m n_ may move freely upon
the tube. The fragments of coloured glass, etc., are now placed in a
small object-box, as it may be called, consisting of two glasses, the
innermost of which, _m n_, is transparent, and the other ground on
the outside =P=, and kept at the distance of ⅛th or ⅒th of an inch by
a brass rim: this brass rim generally consists of two pieces, which
screw into one another, so that the object-plate can be opened by
unscrewing it, and the fragments changed at pleasure. This object-box
is placed at the bottom of the cell =M N=, as shown at =O P=, and the
depth of the cell is such as to allow the side =O= to touch the end
of the reflectors, when the cell is slipped upon the ring _m n_. When
this is done, the instrument is held in one hand with the angular point
=E=, Fig. 21, downwards, which is known by a mark on the upper side
of the tube between _a_ and _b_, and the cell is turned round with
the other hand, so as to present different fragments of the included
Public-domain text, read in full here on John Shaqi.
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