The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful artsBrewster, David
Science
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts
Brewster, David
Kaleidoscopes
1. _On combinations of four mirrors forming a square._
[Illustration: FIG. 45.]
The first of these Kaleidoscopes is represented in Fig. 45, where =A
B=, =B C=, =C D=, =D A=, are the four equal and similar reflectors
placed accurately at right angles to each other. If we consider the
effect only of the two reflectors =A B=, =B C=, and regard =A D=, =D C=
as only the limits of the aperture, it is obvious, from the principles
explained in Chap. II., that we shall have a regular figure =D _m k
h_ D=, composed of four squares, one of which =D B= is seen by direct
vision; other two =A _l_=, =C _i_= formed by one reflexion from each
mirror; and the fourth =B _k_= composed of two half squares, each half
being formed by a second reflexion from each mirror. In like manner,
if we suppose =A D=, =D C= to act alone, they will form a square
pattern =B _b d f_=, composed like the last; and the same result will
be obtained by supposing =B A=, =A D=, and =B C=, =C D= to act alone.
The combination of these effects will produce a square _a d g k_,
composed of nine squares, four of which, formed by second reflexions,
are placed at the angles; other four formed by first reflexions in
the middle; and one, seen by direct vision, in the centre. Hence,
it follows, that the light of the different squares is symmetrical
as well as the patterns, a property which does not belong to all
polycentral instruments. The pattern, however, does not terminate with
the square _a d g k_, but extends indefinitely on all sides till the
squares become invisible, from the extinction of the light by repeated
reflexions. In order to discover the law according to which the squares
succeed each other, we shall examine in what manner a still larger
square =E F G H= is completed round the central square, seen by direct
vision. By considering every square in the large square _a d g k_ as
an object placed before the four reflectors, and recollecting that the
reflected images must be similarly situated behind the reflectors, we
shall find that the larger square =E F G H= is completed by images that
have suffered two, three, and four reflexions, as marked in the figure,
and that all these are symmetrically arranged with regard to the
central square. The squares which are crossed with a dotted diagonal
line, are those composed of two halves, each half being formed by a
different reflector. When a Kaleidoscope is formed out of the preceding
combination, the aperture, or the breadth of the plates next the eye,
should not exceed one-sixth of an inch. The effect is very pleasing
when the reflectors are accurately joined and nicely adjusted, and when
distant objects are introduced by means of a lens.
2. _On combinations of four mirrors forming a rectangle._
When the reflectors are of different breadths, so as to form a
rectangle, the very same effects are produced as in the preceding
combination, with this difference only, that the images are all
rectangular, in place of being square.
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