The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful artsBrewster, David
Science
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts
Brewster, David
Kaleidoscopes
A slight idea of the effects which might be expected from an ingenious
piece of mechanism for creating and combining the various optical
phenomena, and exhibiting them in connexion with musical sounds, may
be obtained by a single observer, who looks into a fine Kaleidoscope,
firmly fixed upon a stand, and produces with his two hands all the
variations in form and colour which he can effect by such inadequate
means, and which he considers appropriate to the musical piece that
accompanies them.
CHAPTER XXIII.
HISTORY OF THE COMBINATIONS OF PLANE MIRRORS WHICH HAVE
BEEN SUPPOSED TO RESEMBLE THE KALEIDOSCOPE.
It has always been the fate of new inventions to have their origin
referred to some remote period; and those who labour to enlarge the
boundaries of science, or to multiply the means of improvement, are
destined to learn, at a very early period of their career, that the
desire of doing justice to the living is a much less powerful principle
than that of being generous to the dead. This mode of distributing
fame, injurious as it is to the progress of science, by taking away one
of the strongest excitements of early genius, has yet the advantage of
erring on the side of generosity; and there are few persons who would
reclaim against a decision invested with such a character, were it
pronounced by the grave historian of science, who had understood and
studied the subject to which it referred.
The apparent simplicity, both of the theory and the construction of the
Kaleidoscope, has deceived very well-meaning persons into the belief
that they understood its mode of operation; and it was only those that
possessed more than a moderate share of optical knowledge, who saw that
it was not only more difficult to understand, but also more difficult
to execute, than most of the philosophical instruments now in use. The
persons who considered the Kaleidoscope as an instrument consisting
of two reflectors, which multiplied objects, wherever these objects
were placed, and whatever was the position of the eye, provided that
it received only the reflected rays, were at no loss to find numerous
candidates for the invention. All those, indeed, who had observed the
multiplication and circular arrangement of a fire blazing between two
polished plates of brass or steel; who had dressed themselves by the
aid of a pair of looking-glasses, or who had observed the effects of
two mirrors placed upon the rectangular sides of a drawing-room, were
entitled, upon such a definition, to be constituted inventors of the
Kaleidoscope. The same claim might be urged for every jeweller who had
erected in his window two perpendicular mirrors, and placed his wares
before them, in order to be multiplied and exhibited to advantage;
and for every Dutch toy-maker, and dealer in optical wonders, who had
manufactured show-boxes, for the purpose of heaping together, in some
sort of order, a crowd of images of the same object, of different
Public-domain text, read in full here on John Shaqi.
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