Domestic fiction; Ireland -- Fiction; Land tenure -- Fiction; Landlord and tenant -- Fiction; Landowners -- Fiction
“For the widow Kelly—God bless her! was a thrue Christhian, and didn’t
begrudge the poor—more power to her—like some upstarts who might live
to be in want yet, glory be to the Almighty!”
The difference of the English and Irish character is nowhere more
plainly discerned than in their respective kitchens. With the former,
this apartment is probably the cleanest, and certainly the most
orderly, in the house. It is rarely intruded into by those unconnected,
in some way, with its business. Everything it contains is under the
vigilant eye of its chief occupant, who would imagine it quite
impossible to carry on her business, whether of an humble or important
nature, if her apparatus was subjected to the hands of the
unauthorised. An Irish kitchen is devoted to hospitality in every sense
of the word. Its doors are open to almost all loungers and idlers; and
the chances are that Billy Bawn, the cripple, or Judy Molloy, the deaf
old hag, are more likely to know where to find the required utensil
than the cook herself. It is usually a temple dedicated to the goddess
of disorder; and, too often joined with her, is the potent deity of
dirt. It is not that things are out of their place, for they have no
place. It isn’t that the floor is not scoured, for you cannot scour dry
mud into anything but wet mud. It isn’t that the chairs and tables look
filthy, for there are none. It isn’t that the pots, and plates, and
pans don’t shine, for you see none to shine. All you see is a grimy,
black ceiling, an uneven clay floor, a small darkened window, one or
two unearthly-looking recesses, a heap of potatoes in the corner, a
pile of turf against the wall, two pigs and a dog under the single
dresser, three or four chickens on the window-sill, an old cock moaning
on the top of a rickety press, and a crowd of ragged garments,
squatting, standing, kneeling, and crouching, round the fire, from
which issues a babel of strange tongues, not one word of which is at
first intelligible to ears unaccustomed to such eloquence.
And yet, out of these unfathomable, unintelligible dens, proceed in due
time dinners, of which the appearance of them gives no promise. Such a
kitchen was Mrs. Kelly’s; and yet, it was well known and attested by
those who had often tried the experiment, that a man need think it no
misfortune to have to get his dinner, his punch, and his bed, at the
widow’s.
Above stairs were two sitting-rooms and a colony of bed-rooms, occupied
indiscriminately by the family, or by such customers as might require
them. If you came back to dine at the inn, after a day’s shooting on
the bogs, you would probably find Miss Jane’s work-box on the table, or
Miss Meg’s album on the sofa; and, when a little accustomed to sojourn
at such places, you would feel no surprise at discovering their dresses
turned inside out, and hanging on the pegs in your bed-room; or at
seeing their side-combs and black pins in the drawer of your
dressing-table.
Public-domain text, read in full here on John Shaqi.
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