Next, and here your arms open to her, she is a poet. Pre-eminently she is a poet--this must be always understood. She is the greater poet, I take it, in this dawning twentieth century, because she is a scientist; not in spite of being a scientist as some would hold. How shall I describe her? Perhaps as a George Eliot, fused with an Elizabeth Barrett, with a hint of Huxley and a trace of Keats. I may say she is something like all this, but I must say she is something other and different. There is about her a certain lightsomeness, a glow or flash almost Latin or oriental, or perhaps Celtic. Yes, that must be it--Celtic. But the high-stomached Norman is there and the stubborn Saxon. Her quickness and fine audacity are checked and poised, as it were, by that certain conservatism which gives stability to purpose and power to achievement. She is unafraid, and wide-looking and far-looking, but she is not over-looking. The Saxon grapples with the Celt, and the Norman forces the twain to do what the one would not dream of doing and what the other would dream beyond and never do. Do you catch me? Her most salient charm, is I think, her perfect poise, her exquisite adjustment. Altogether she is a most wonderful woman, take my word for it. And after all she is described vicariously. Though she has published nothing and is exceeding shy, I shall send you some of her work. There will you find and know her. She is waiting for stronger voice and sings softly as yet. But hers will be no minor note, no middle flight. She is--well, she is Hester. In two years we shall be married. Two years, Dane. Surely you will be with us. One thing more; in your letter a certain undertone which I could not fail to detect. A shade less of me than formerly?--I turn and look into your face--Waring's handiwork you remember--his painter's fancy of you in those golden days when I stood on the brink of the world, and you showed me the delights of the world and the way of my feet therein. So I turn and look, and look and wonder. _A shade less_ of me, of you? Poesy and economics! Where lies the blame? HERBERT. III FROM DANE KEMPTON TO HERBERT WACE LONDON, September 30, 19--. It is because you know not what you do that I cannot forgive you. Could you know that your letter with its catalogue of advantages and arrangements must offend me as much as it belies (let us hope) you and the woman of your love, I would pardon the affront of it upon us all, and ascribe the unseemly want of warmth to reserve or to the sadness which grips the heart when joy is too palpitant. But something warns me that you are unaware of the chill your words breathe, and that is a lapse which it is impossible to meet with indulgence.