Eastbury House--the “Nuns’ House” of “Edwin Drood”--until recent years a gloomy mansion, mysteriously retired behind a grim brick wall, has lately been restored and the enclosing wall demolished, and has become a museum. It is now a much more worshipful-looking building than before; all the better for its scouring and cleaning, and yet looking none the less antique. Built in 1591, Eastgate House looks every year of its age, and has a very thorough air of historical mystery, although nothing has ever happened there to which one can put a name. Miss Twinkleton’s young ladies, in “The Mystery of Edwin Drood,” must often have experienced strange thrills and shivers in its darkling rooms and passages. The allied towns of Rochester, Chatham, Gillingham, and New Brompton do not grow any more attractive, from the tourist’s point of view, with the effluxion of time. They had always a taint of Cockney vulgarity which later industrial and military and naval developments, and an extensive system of electric tramways, have intensified. With all these things, the natural beauties of the site have been almost utterly obscured in mean streets and crowded slums. Those beauties were of a very striking nature. From the lofty side of Chatham Hill the eye ranged over the broad Medway and its marshes, beautiful in the distance, and across to the Hundred of Hoo. To-day that view is qualified by a vista of innumerable roofs and domestic chimneys, and by the many giant chimney-stacks of the Portland cement factories that have to-day become almost as striking a feature of the surroundings as the naval and military establishments, and spread a smoky haze over the scene. It is not easy to realise Chatham as a waterside place, still less as a port and dockyard, because of the closely-packed houses along the High Street which runs parallel with the Medway. Only the narrowest alleys open to the water, and few of them: the Sun Pier being, in fact, the only view-point. But the outlook upon the busy waterside scenes up-river, along Limehouse Reach, is of an inspiring nature. It is composed, indeed, of widely different elements, but is therefore all the more pictorial. There you see Rochester Castle and Cathedral, contrasting strongly with the huge coal-cranes and the wharves, alongside with the fuming chimneys of the cement factories on the Frindsbury shore, and many picturesque, brown-sailed barges and fussy steam-tugs on the water. The strenuous past, and a much more strenuous present, lend imagination, as well as pictorial quality, to the scene.