The Kentuckian in New-York; or, The Adventures of Three Southerns. Volume 1 (of 2)Caruthers, William Alexander
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The Kentuckian in New-York; or, The Adventures of Three Southerns. Volume 1 (of 2)
Caruthers, William Alexander
Adventure stories; City and town life -- New York (State) -- New York -- Fiction
"She glided into a rather darkened recess of the room, near where
I stood, and seated herself alone, as if to be out of the reach of
observation; yet by some means I was seated by her side, almost as
dumb as a statue. I even longed for more of Lamar's delineations,
if for nothing else but to see her smile again, and light up those
features which nature evidently made to smile. Her hair was still
parted over the forehead in the Grecian manner; a single ringlet
stole down behind her ear. Her dress was simplicity itself,
exceedingly plain and tasteful.
"I need not tell Miss St. Clair how much gratified I am at again
meeting her in a circle composed almost entirely of my friends and
my friends' friends; but, if I have been rightly informed, we are
more indebted to accident than to any benevolent designs on her
part for this meeting.
"'A strange accident indeed, my being here. Not less so than your
own. But _you_ are not a believer in accidents.'
"How beautiful a little act sometimes appears, Randolph, when it
sits upon the countenance of one so artless by nature that you can
see all the machinery which she imagines is so completely hidden,
as a child often hides its eyes and vainly supposes itself unseen.
This _ruse_, intended to draw me into some argument about
accidents, and to avoid the real case at issue, really amused me;
I was willing, however, to follow her lead for a time.
'Accidents,' said I, 'seem to us, at first sight, to be without
the usual train of cause and effect; but, if they were all placed
in my hands, I think I could govern the destinies of the world, so
long as I could control my own destiny.'
"'I do not understand you, sir,' said she, with the simplest
cunning imaginable; feigning deep interest, though her countenance
would not join in the plot.
"'The condition,' I continued, 'and the present circumstances of
every individual now in this room might be traced back to some
accident which has happened--to the person, his father, or his
grandfather; the death of one friend, the marriage of another, may
affect the destinies of the persons themselves and all connected
with them.'
"Ah, Randolph! there was a tender chord touched. Did you ever see
a person shot through and through? The countenance expresses a
whole age of misery in an instant. The soul is conscious of it
before the body. One will even ask whether he is shot--while his
countenance proclaims death more forcibly than a hundred tongues
could utter it. There is a writhing, convulsive, retreating
misery; part of which I saw I had inflicted upon this gentle
being. This mystery must be solved. The system on which she is
treated by those around her is false.
Public-domain text, read in full here on John Shaqi.
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