He got up and went across to open his shutters and had taken hold of
the catch, when he was arrested in his movement. At night he tilted
the shutters, so that the morning sun might not enter crevices and
shine in his face and awaken him. Now looking down through the slats,
he discovered something going on in the yard beneath his window.
Elinor had come tipping around the corner of the cottage. She held one
dark little witch-like finger unconsciously pressed against her tense
lips. Her dark eyes were brimming with a secret, mischievous purpose.
A ribbon which looked like a huge, crumpled purple morning-glory was
knotted into the peak of her ravenish hair. Her fresh little gown,
too, suggested the colours of the purple morning-glory and her whole
presence, with a freshness as of dew-drops formed amid moonbeams at
midnight, somehow symbolised that flower which surprises us at dawn as
having matured its unfolding in the dark: half sinister, half innocent.
With cautious, delicate steps, which could not possibly have made any
noise in the grass, she approached the window and stopped and lifted
the notched pole which was used to hold up the clothes-line in the
back yard. Setting the pole on end and planting herself beside it, she
pushed it with all her slight but concentrated strength against the
window shutters. It struck violently and fell over to the grass in one
direction as Elinor, with the silence of a light wind, fled in the
other.
Webster stood looking down at it all: he understood now: that was the
crashing sound which had awakened him.
It had been Elinor who had ended his dream.
But his dream was not ended. It would never end. It was in him to stay
and it was doing its work. The feeling which had surprised him as to
the sweetness of his mother's voice but marked the deeper awakening
that had taken place in his sleep, an unfolding, his natural growth. It
was this growth that now animated him as he smiled at Elinor's flying
figure. Her prank had not irritated him: no intrigue of hers would
ever annoy him again. Instead, the idea struck him that Elinor must
be thinking of him a great deal, if so much of her life--incessantly
active as it was with the other children of the cottages--were
devoted to plans to worry him. She must often have him in mind quite
to herself, he reflected; and this fresh picture of Elinor's secret
brooding about him somehow for the first time touched him tenderly and
finely.
Public-domain text, read in full here on John Shaqi.
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